#StageOpps
PROJECT SUBMISSIONS
EAG Midsummer Play Festival
We are thrilled to invite you to apply for our inaugural Midsummer Short Play Festival. We are seeking new and original plays and musicals (not to exceed 20 minutes) and monologues (not to exceed 5 minutes). This opportunity is nonunion only. Please read all of our policies below before applying.
o Deadline: May 23
o Application Fee: Free to submit! One submission per playwright please.
o Eligibility: A festival of short original plays (up to 20 minutes) and monologues (up to 5 minutes). Musicals are welcome!
We provide performance space, but you are responsible for assembling your team and preparing the performance.
Pieces should be bare-bones with no lighting or sound cues (beyond lights up, lights down).
o Contact: Please contact Johnny Culver (johnnyculver@pineyforkpress.com). Please do not email or call the EAG office. Thank you!
o Categories: Short Plays, Monologues
2025-26 PlayGround-NY Writers Pool
25 early-career playwrights as well as 3 alternates will be competitively selected from applications to form the Writers Pool. Members of the Writers Pool may submit scripts to be considered as part of the Monday Night PlayGround-NY staged reading series. Four times each season, September through March (see tentative schedule below), PlayGround-NY will announce a prompt and Writers Pool members have just four-and-a-half days to generate an original short script (max. 10 pages) inspired by the prompt. The top six scripts each round will be staged publicly with leading local directors and actors. Those not selected may submit their scripts to Recess for cold readings via zoom (see below). From the plays staged throughout the season, up to six will be selected for Best of PlayGround-NY (produced in April 2026). Writers Pool members can gain peer feedback on their work by participating in Recess cold readings (one week after each Monday Night PlayGround-NY and generally via Zoom) as well as through a staff one-on-one session (available upon request). New this year, Writers Pool Alternates will have full access to Recess.
o Deadline: May 31
o Application Fee: None
o Eligibility: Writers must reside within the five boroughs of New York City
NEW THIS YEAR: Writers Pool members must commit to submitting for ALL FOUR Monday Night PlayGround-NY events in a given season (see below for schedule, subject to change). Writers failing to meet the eligibility requirements must sit out the remainder of the season and one additional full season. Alternates are asked to submit each round and may be admitted to the Pool should there be an opening during the season.
The submission of a script to Monday Night PlayGround-NY grants PlayGround-NY the exclusive option to stage the play as part of the Monday Night PlayGround-NY and, should it be so selected, to present the world premiere as part of Best of PlayGround-NY and non-exclusive option to publish the script in a "Best of PlayGround" anthology.
Playwrights must submit a 10-page max, properly formatted script as PDF attachment. Both previously produced and unproduced scripts are eligible. See below for formatting examples.
The script must have the playwright's name, address, email and phone number at the top of the first page and include a detailed cast breakdown, and all pages must be numbered.
The script title must be labeled by Lastname, Firstname_Title (e.g., Shakespeare, William_The Tempest).
Excerpts from longer works are not accepted but short plays that meet the above requirements and are derived from a longer work are accepted.
BIPOC, trans/gender-non-conforming & playwrights with disabilities are encouraged to apply.
Current members of the Writers Pool must reapply in order to be considered for the following season.
o Contact: info@playground-ny.org
o Categories: Plays
Vanguard Arts Fund
Vanguard Arts Fund applications are now open for Olney Theatre Center's 2025-26 season. The Vanguard Arts Fund provides development support to diverse teams of artists interested in creating works - especially works that cross artistic disciplines - in a collaborative environment. From the seed of an idea for a new play, to a concept for a classic adaptation, to a first draft or first song of a musical, we provide intensive workshop time at various stages of the development process. We commit to these artistic teams in hopes of producing their work at Olney Theatre Center in a future season. The Vanguard Arts Fund was launched in 2017 with a $350,000 endowment gift from the Eugene B. Casey Foundation; the Fund's success in developing shows we've gone on to produce prompted the Foundation to add $1 million to the endowment in 2022. What kind of projects are we looking for? While OTC will consider text-based work that springs from the mind of a singular playwright, successful proposals for new work will more likely bring together more than one generative artist in an interdisciplinary fashion to explore new or classic stories. So, a director and videographer working on an off-beat immersive experience, or workshopping a new musical, or a number of designers or actors coming together with a playwright to devise something, or a playwright and director working jointly to create something, or a composer working with a bunch of musicians and a choreographer on an idea all are examples of exciting proposals. Directors, actors, playwrights, designers, stage managers - we want to hear from anyone with a great idea and a great plan to pursue their artistic visions. We are committed to ensuring the majority of projects we fund are led by BIPOC generative artists, and intend to support at least one BIPOC-created musical each year.
o Deadline: May 1
o Application Fee: None
o Eligibility: Please send the following information as a single pdf to hallie@olneytheatre.org. We are accepting applications until May 12, 2023, and announcements will be made in June. Please include the following in your application:
Project point of contact information (pronouns, email, phone number, city/state)
In 1-2 pages: About the Project
Point of View
At what stage of development is this project currently, and what is the project's development history?
In up to 1 page: What are your goals for a Vanguard Arts Fund workshop? How will this workshop support the development of this project?
How much time do you think you need to explore this project?
The names and bios of the artists/collaborators involved in this project
Number of performers or other types of artists needed for a workshop (if known)
Any supporting materials (script drafts, song recordings, synopsis, orchestration, etc.)
o Contact: hallie@olneytheatre.org
o Categories: Plays, Musicals
Exhume Submissions for Fall 2025
We strive to publish visual art, poetry, prose, and drama in order to help writers who discuss queerness and trauma find a home for their works. Though we especially seek submissions that discuss these topics, we accept good writing across the board. We appreciate work that speaks to the human experience on a raw level. Consider works like Allen Ginsberg's "Howl," Jo Ann Beard's "The Fourth State of Matter," and John Cheever's "The Swimmer." Above all else, we want writing that makes us feel something. Writing can be traditional, experimental, or a hybrid of the two. Surprise us! We accept both established and emerging artists and writers across the board. We welcome simultaneous submissions, though we ask that you let us know immediately should your submission be accepted somewhere else. At this time we do not accept previously published work.
o Deadline: Submissions are open April through June.
o Application Fee: None
o Eligibility: All submissions should be emailed to exhumeliteraryjournal@gmail.com. Please list the genre you're submitting under in the subject of your email, as well as your first and last name. Please paste your third-person bio, maximum 75 words, in the body of your email and submit your works as attachments in .doc or .docx format. All documents should be submitted in 12 point fonts. Submit up to 3,500 words of prose in one double-spaced document.
o Contact: exhumeliteraryjournal@gmail.com
o Categories: Short Plays
Peach Theatre and Film Festival
The PEACH Theatre and Film Intl. Festival is a unique and rare experience that merge two beautiful genres of arts and entertainment. Both theatre and film, showcasing a series of short films and selected plays, in one of the world's most famous cities, internationally known for being the home of entertainment. Los Angeles, California. Our mission is to select films and plays based on content, quality, and merit. It is also our volition to honor the creatives selected, with integrity and respect for their hard work, discipline and sacrifice to get their productions completed and ready for display. As playwrights, filmmakers and entertainment professionals ourselves, we understand what it takes, and for that reaso
To enter the NEW YORK SCREENWRITING AWARDS, you must agree to its Terms and Conditions.
o Categories: Feature, Short, Animated, Documentary
Veterans Repertory Theater
Savage Wonder prides itself on opportunities for veteran writers. Savage Wonder offers on-going playwrighting competitions as well as the Savage Wonder literary blog. You may select which opportunity interests you below.n, we salute you! Continue history with us!
o When/Where: November 12
o Deadline: April 5 (Early Bird Deadline), June 10 (Regular Deadline), September 30 (Late Deadline)
o Application Fee: $35-$55
o Eligibility: All entries must be uploaded in PDF format. (www.freepdfconvert.com)
All entries must be submitted in English, formatted in 12-point courier font.
You may submit your entry via FilmFreeway. No preference will be given to either method of submission.
Entries must be received by the applicable Entry Deadline.
NEW YORK SCREENWRITING AWARDS will not share your screenplay with anyone except the official judges of the competition.
By entering the NEW YORK SCREENWRITING AWARDS you represent that your entry is your original work, and does not infringe on the copyright or other rights of other people.
Entry fees are non-refundable.
We do not accept hardcopy submissions by mail.
The decisions of the judges are final.
NEW YORK SCREENWRITING AWARDS reserves the right to make any necessary changes, postponements, or cancellations to event scheduling at our discretion.
o Deadline: July 3
o Application Fee: No Fee
o Eligibility: Until July 3, 2025, Savage Wonder is accepting submissions for both full-length AND 10-minute playwriting competitions. Playwrights must meet one of the following criteria:
Current or former: US military, law enforcement, fire service, EMS, foreign service, intelligence service, DoD employee, DoD Contractor; or
Immediate family of the service member.
For full-length plays:
The competition winner will receive a $5,000 grant.
The second-place finalist will receive a $3,500 grant.
The third-place finalist will receive a $2,500 grant.
For 10-minute plays:
The competition winner will receive a $1,000 grant.
The second-place finalist will receive a $750 grant.
The third-place finalist will receive a $500 grant.
o Categories: 10 minute plays, Full-Length Plays
o Contact: info@vetrep.org
YouthPlays
Welcome! YouthPLAYS publishes challenging, entertaining plays and musicals that are appropriate for teen and younger actors and/or audiences, as well as shows that have the potential to cross over to universities or community theatres. We accept emailed queries only. DO NOT SUBMIT A FULL SCRIPT unless you fit one of the four categories below: Current YouthPLAYS Authors: Please log in first. You may submit multiple scripts (one at a time). Playwrights 19 and Under (Worldwide): You may submit one script only that adheres to the guidelines for the New Voices One-Act Competition for Young Playwrights from January 1, 2025 through May 1, 2025. (Scroll to the bottom to read the guidelines!) BIPOC playwrights 20 and Older (US-based only): You may submit one script (please wait for a submission decision prior to submitting another script). Please be sure to mention in your Note to the Publisher that you are a member of this group. Requested Scripts: This means you submitted a query, and we emailed you back requesting the full script. Please mention in your Note to the Publisher that we have requested the script.
o Deadline: May 1
o Application Fee: None
o Eligibility: Please make sure the query includes all of the following in the body other email (no attachments): The play's title.
A brief synopsis.
The approximate running time.
A cast breakdown (e.g. 2 males, 4 females, 8+ any gender). Please address specifically whether the play contains any significant young (teen or younger) characters.
The producing groups for which you think the play is most appropriate (e.g. high schools, middle schools, TYA theatres, etc.).
Production/development history.
Any encumbrances (e.g. some part of it is published in a non-exclusive anthology). Also, please disclose any agency representation at this time.
Why you believe this play is a fit for our mission.
Again, do NOT include the script, in whole or in part, with your query.
o Contact: submissions@youthplays.com.
o Categories: Full-length Plays
NYLonFusion
We are accepting new works for our 2025/ 2026 This Round's On Us festivals, each of which will focus on certain broad eras.(see below). But the plays do not necessarily have to be set in these time periods, but they should at least be informed by the social, cultural and/or political happenings of the time. Whether you find inspiration in the movies, music or theater of a particular era, the major events that formed the historical narrative or which have been ignored by history, or the everyday lives of people in the bygone days of the not-so-long-ago, you can send your 10-minute play to NyLonFusion@gmail.com
o Deadline: The Gilded Age/Cage Deadline: February 15th, 2025. (Festival June 27-28), The New Deal Deadline: June, 1, 2025, The Great Society Deadline November 12, 2025
o Application Fee: No Fee
o Eligibility: Each submission should be no longer than ten pages or approximately 10 minutes in length. Not have been previously produced. To be considered This Round's On Us please submit/email the following: A cover letter, brief synopsis, resume and full script to nylonsubmissions@gmail.com Please be specific as to which project you are submitting to. Write on the SUBJECT LINE For example: This Round's On Us: The Gilded Age/ Cage.
o Categories: Short Plays
o Contact: NyLonFusion@gmail.com
City Theatre Seeks 10 Minute Plays for the Susan J Westfall National Short Playwriting Contest
City Theatre is looking for the best short plays from all over for our upcoming 2024-25 season that furthers our mission to identify, acknowledge, and award excellence in dramatic writing. Having produced hundreds of plays, we want scripts that are lively and timely, hilarious, provocative, poignant, and surprising. We look for plays that span style and genre. We will consider bilingual scripts and ten-minute musicals. We have no restriction on the age range of the characters. In other words, we are seeking compelling plays that rise above the ordinary. City Theatre seeks compelling plays that rise above the ordinary. Playwrights from across the country are invited to submit lively, timely, hilarious, provocative, poignant, and surprising scripts. We look for plays that span style and genre. We will consider bilingual scripts and ten-minute musicals. Contest finalist scripts are contenders for production at various productions and programs City Theatre presents year-round. To submit a play, please visit citytheatre.com on June 1st. We highly encourage the submission of plays from writers who self-identify as BIPOC (Black, Indigenous, People of Color), women, and LBGTQ+. We invite writers at all career levels to submit. Contest finalist scripts are contenders for production at various productions and programs City Theatre presents year-round. The contest opens on June 1st and will remain open until the maximum number of submissions are received. Each playwright may only submit one play for consideration. Playwrights are encouraged to submit as soon as possible when the contest opens.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Each script must be no more than ten pages long. We start counting when the actual play begins. City Theatre is opening a limited submission call for NPX playwrights only. This submission call will be limited to the first 200 scripts. We will only accept one play per playwright, and if you tag your play for this submission, you MAY NOT submit to City Theatre's general submissions via our website. Playwrights may only submit ONE play to ONE submission call. Those who submit twice will have their plays deemed ineligible (please don't make us do that!) Previously submitted plays, longer one-acts or full-length plays or musicals won't be accepted or returned. City Theatre will consider previously produced works with a production history included with submission. The volume of scripts submitted prevents us from providing feedback or criticism.
o Categories: Short Plays, Plays
o Contact: Please reach out if you have questions not covered by the information above: info@citytheatre.com
Blackboard Plays - Reading Series Submission
Founded in 2008, Blackboard Plays has been devoted to Black Playwrights throughout the African Diaspora.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Black Playwrights Submit up to 10 pages in consideration for a Feature reading. A Feature and a Community Night are the two main ways to have your work supported by Blackboard. Those not selected for a feature, are encouraged to attend a community night, which is structured like an Open Mic Night for Playwrights, where up to 10 pages is cold-read by Actors in person or on Zoom (During COVID-19 Social Distancing Practices).
o Categories: Short Plays, Plays
Neurodivergent New Play Series
Neurodivergent playwrights in NYC since 2023 - is accepting recurring submissions as we prepare for our 2024-25 Season.All submissions should be for full-length plays between 45 to 180 minutes long and may have received a previous reading or production outside of NYC, as long as they are unpublished. All neurodivergent/disabled writers (autistic, ADHD, dyslexic, OCD, Tourette's, etc.) at all stages of their careers are encouraged to apply - especially BIPOC, LGBTQ+, and female-identifying writers. There is no submission fee or any other fee for being involved in this process.
o Deadline: Rolling Basis
o Application Fee: None
o Eligibility: Plays can be of any genre, although we are especially seeking works that challenge traditional methods of storytelling & have something important to say about the world that isn't being heard enough. We ask that you submit only one play every 30 days during our recurring submissions process.
Contact: neurodivergentplays@gmail.com
o Categories: Full-length Plays
Kingdom Theatre: Writers for Black History and Women's History Month celebrations February and March 2024
Seeking playwrights diverse works regardless of gender, race, culture or orientation for our history celebration events convening February and March of 2024. Seeking full lengths, shorts and 1 act. The plays for Black History month and Women's History month does not have to be about those months. Selected plays will be featured throughout our Special events throughout both months. Selected plays will be showcased with 1 full production.
o Deadline: None Given
o Application Fee: If Selected, there is a $100 fee. No fee to submit. Submit at, actressclassy@gmail.com
o Eligibility: We provide the following,
1.Creative Staff
2. Cast
3.Venue for cold readings, rehearsals and performances.
4. Press and industry professionals to see your work
o Categories: Plays, One-Acts
o Contact: actressclassy@gmail.com
Freshwater Theatre
Freshwater Theatre prides itself on constantly working with new artists, expanding our family. We're always on the lookout for new scripts and new technical artists to work with.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: While we certainly are interested in world premieres of new plays, we also are very interested in second and third productions of new works, as we believe this to be the key to finding the works that will propel theater into the future.
We will only respond to playwright submissions for plays that come into serious consideration for future production. We cannot give any specific time frame on if/when a response will be given.
o Categories: New Plays
o Contact: info@freshwatertheatre.com
SCRIPT SUBMISSIONS
The Barr Hill Players: Script Submissions for 2025 Fellowship Staged Reading
As a part of our 10th annual season, the Barr Hill Players (BHP) will present a staged reading of new works by emerging playwrights. Selected scripts will be workshopped by our ensemble of acting fellows during the BHP summer intensive in Greensboro, VT, then presented for a developmental staged reading at La MaMa ETC Galleria in New York City on August 16, 2025. At BHP, we believe actors can serve as generative collaborators in the development of new plays. This reading creates an opportunity for playwrights to gain an outside-in, actor-led perspective to inform further development of their dialogue-driven work.
o Deadline: May 15 (Regular Deadline), June 15 (Late Deadline)
o Application Fee: None
o Eligibility: Priority may be given to earlier submissions
Length: Full-length (60-100min)
Cast size: 8-12
*Scripts that can be cast with exactly 12 actors are particularly desirable
The scripts we're looking for are:
Written for "balanced" ensembles (all roles have meaningful stage time)
Grounded in spoken dialogue (not primarily movement-based, not musical/sung)
Somewhat flexible in ensemble composition (gender, ethnicity, age, etc.)
Eligible under the Actors' Equity Staged Reading Guidelines (have not been/will not be registered with Actors' Equity for a Reading March-August 2025
You may submit up to 3 plays for consideration. If you submit the form more than 3 times, only the first 3 submissions will be considered. Please review the FAQs below before submitting.
o Categories: Full-Length Plays
o Contact: You may email your submission with all the inputs required (on the online form) to info@barrhillplayers.org.
Community Players Theater - Page to Stage 2025
Page to Stage: An Original Staged Reading is an opportunity for playwrights to submit their work to be performed through Community Players Theatre (Bloomington IL.) To those wishing to submit their work, please make sure it follows this criteria:
o Deadline: July 31
o Application Fee: None
o Eligibility: The script must be unpublished
It is fine if the script has gone through workshops or readings
No more than 2 locations within the script
Cast size 2-6
Can feature a child but the majority of the cast must be adults
Few adjustments will be allowed once the script has been submitted
PDF or Word Doc formatting
No musicals
A playwright is not limited on how many they can submit
This process is for the benefit of audiences to hear new plays and new playwrights
o Categories: Full-Length Plays
o Contact: Scripts are due by July 31st, 2025. Please submit all scripts to Ashleigh Rae-Lynn (playreading@communityplayers.org)
Don McAnn Playwriting Contest
The Oswego Players were established in 1938 as a non-profit community theater organization dedicated to live theater productions and theater education for Oswego area residents. Consistent with those goals, a playwriting contest was established to promote the creation of original, one-act plays by contemporary authors.
o Deadline: June 15
o Application Fee: None
o Eligibility: The contest is FREE and open to any playwright who is 18 years or older and resides (or attends college) in the state of New York.
All plays must be based on original concepts (no adaptions of any works or no verse plays), unpublished and unproduced.
The Oswego Players reserves the right to produce and perform any of the prize winners.
The content, theme, and time period of the play are at the discretion of the writer.
Since a live production of the of at least one of the prize winners is planned* simplicity is highly recommended:
One act, single set, with a run time of 20 to 30
Written so it can be staged with minimal set, props, lighting and sound effects, and costume design.
The story should not exceed eight characters due to the potential unavailability of actors.
All entries must include a cover page which includes the name of the play, name of the playwright, and an updated address, phone number, and email address.Provided there are enough entries, the following cash prizes will be awarded:– 1st Prize: $250.00 – 2nd Prize: $150.00 – 3rd Prize: $75.00
o Categories: One Act
o Contact: Submissions must be received by June 15th of the contest year and sent either electronically to osweplay@yahoo.com or through the mail, Donald J. McCann Memorial Playwriting Contest, P.O. Box 183, Oswego, NY 13126.
The Risk Theatre Modern Tragedy Competition
Edwin Wong announces year three of The Risk Theatre Modern Tragedy Competition, the world's richest specifically for the writing of tragedy: at stake is $12,265 (CDN) in prize money, a workshop, and travel stipend.
o Deadline: May 31
o Application Fee: $49
o Eligibility: The Risk Theatre Modern Tragedy Competition (henceforth 'the Competition') is open to one-act and multi-act plays, 90 – 120 minutes in length (not including intermission). Generally, a properly formatted play of this length will be 80 to 110 pages long. If your script is significantly outside these parameters, it is probably ineligible.
Playwrights may submit more than one script, but each script must be accompanied by a separate entry fee and entry form.
Entries must be received by the Competition no later than 9PM, May 31, 2021 Pacific Time (PDT).
The Competition is open to writers of any nationality BUT all entries must be written in English.
The script must be original. Adaptations of other works will not be accepted with two exceptions: 1) adaptation of works that are in the public domain will be accepted; for instance, a contemporary adaptation of a classic Greek acktragedy; 2) adaptation of works to which the author holds sole copyright will be accepted; for instance, a short story written by the author.
Scripts that have been simultaneously entered in other playwriting competitions are eligible.
Musicals are eligible. Jurors will judge musicals on the basis of the libretto only. They will not have access to the music.
Scripts that have gone through a workshop or been given public reading ARE eligible.
Scripts that have been professionally produced at the time of submission are NOT eligible. Any public performance for which production members have been paid beyond a token honorarium will be considered a professional production.
Scripts which have been commissioned are NOT eligible.
o Categories: Full Length Plays, New Works, Musicals
o Contact: tragedycompetition@gmail.com
Woodward/Newman Award 2026-2027
The Woodward/Newman Award is an exclusive honor offered by Constellation Stage & Screen, started through the support of Joanne Woodward, Newman's Own Foundation, and the Newman family, celebrating Paul Newman & Joanne Woodward's tremendous history of work on stage and screen. It presents the best unpublished play of the year with a cash prize of $3,000 and a full production as part of Constellation's Mainstage season. Please note that there are significant changes to our submission and selection process from previous years. In order to make the Woodward/Newman Award accessible to all, we have eliminated submission fees as well as the contest format. The Woodward/Newman Award will continue to be awarded to an unpublished new play once per year and come with a $3,000 cash prize and a full production. Submissions will be accepted and reviewed by our literary team on an ongoing basis, and will be considered for the award as well as for all 7 production slots in our season. So a play that is not selected for the Woodward/Newman slot in our season, may still be considered and selected for production. This will allow us to now accept open submissions for all types of plays (including TYA shows). Plays submitted by midnight, August 31st, 2025 will be considered for the 2026-27 season, while plays submitted beyond that date will be considered for the 2027-28 Season. All submissions will be kept on file for 2 years after submission.
o Deadline: August 31
o Application Fee: No Fee
o Eligibility: Full-length" plays should have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes). TYA shows should have a complete running time of over 40 minutes.
Plays submitted must be unpublished at the time of submission (independently published is acceptable).
Each play should be individually submitted at the following link: CONSTELLATION STAGE & SCREEN PLAY SUBMISSION.
You will be asked to submit your play as an attachment and all other information (bio, history, synopsis, character breakdown) will be entered into a form. Musical submissions may upload demos as an attachment or include a link to a shared folder.
Limit of 2 play submissions per year.
$3,000 cash prize is in lieu of royalties for the full production. Housing & transportation will also be provided.
Any unpublished play submitted to Constellation regardless of method (e.g. online form, agent submission, direct contact) may be considered for the Woodward/Newman Award.
Please note that we are moving away from a "finalists" model in lieu of keeping all plays under consideration for extended periods (2yrs). We will only announce a winner.
If you have any questions, please email literary@seeconstellation.org.
o Categories: Plays
Southern Soul Theatre Ensemble Presents the Inaugural 10x10 Play Festival
The Southern Soul Theatre Ensemble proudly announces the Inaugural 10x10 Play Festival, celebrating creativity, culture, and community! In honor of Juneteenth, this festival amplifies Black and Latinx voices through a dynamic showcase of 10-minute plays.
o Deadline: None Given
o Application Fee: None
o Eligibility: Eligibility: Open to Black and Latinx playwrights (one submission per playwright).
Play Length: 10-minute plays (8-10 pages).
Cast Size: 2-6 characters.
Themes: Works should reflect the diversity of Black and Latinx cultures; all genres welcome.
Original Work: Must be unproduced or have had limited exposure (readings/workshops accepted).
Format: PDF submissions only, including a title page with name, contact info, and a brief synopsis.
Deadline: Selected playwrights will be notified by April 15th.Southern Soul Theatre
o Categories: Plays
Community Players Theatre
Community Players Theater seeks full-length plays. Enhanced Staged Reading: There will be sets, costumes, and props. It is a short rehearsal process which is why we are not requiring memorization. Restriction: Story must take place in no more than 2 locations. Cast no larger than 6. Must be in English.
o Deadline: August 31
o Application Fee: No Fee
o Eligibility: Playwrights are more than welcome to submit as many scripts as they would like. There is no restriction on if a show has been performed before. We just ask that you let us know so it can be properly advertised. Submit to Playreading@communityplayers.org
o Categories: Plays
Talking It Out: A Virtual Festival in Support of Mental Health Awareness
The Talking It Out Virtual Arts Festival in support of mental health empowerment, is thrilled to be returning this Fall after a year-long hiatus! We are now accepting play submissions to be featured in our new ongoing series of live play readings in NYC and audio drama podcast to be featured worldwide. This year, we will be accepting submissions for short plays, (less than 20 minutes) one-act plays, (20-40 minutes) & full-length plays (60-120 minutes) of all genres, including comedy, drama, sci-fi, horror, experimental, etc. Plays will be accepted on an ongoing basis, with playwrights to be notified at least 3 months in advance of their proposed performance date.
o Deadline: none listed - playwrights are welcome to submit one play every 30 days
o Application Fee: Free
o Eligibility: The one requirement - in terms of subject matter - is that all plays should deal with the topic of mental illness. (i.e. anxiety, depression, PTSD, mental health in the context of neurodivergency, bipolar disorder, schizophrenia, dementia/Alzheimer's, etc.) There is no submission fee, and playwrights are welcome to submit one play every 30 days. Plays that have received a previous reading or production outside of NYC are eligible, as long as they are unpublished.
o Categories: One-Act Plays
o Contact: talkingitoutfest@gmail.com
The Autry: 2025 OPEN Submission for Production Consideration
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you would like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form, check the box for 2025 General Production Consideration.
o When/Where: Open all year
o Deadline: None Given
o Application Fee: None
o Eligibility:Full-length plays (60+ pages) receive will be read and evaluated.
o Categories: Full-length Plays
NY Theatre Festival Spring/Summer and Fall/Winter
This is a unique opportunity to invite people from the industry to see your production! People are more likely to go see a show than to read an unsolicited script - some industry people receive on average thousands of submissions per month. They understand that the journey for a show to be successful often goes through several productions and this is your chance to show that you can start that process! Our dedicated team is here to help you get your work out. We are with you from the moment you begin tech rehearsals, all the way through to your closing performance. You will never be left alone during the process. We will help you choose from the 85 set/furniture pieces we offer to dress your stage for your run, and we will give you a complete crash course on how to use the audio/light/video system in just 3 minutes, which are intentionally designed to be very user friendly.
After we show you how to use the tools we provide and how to best utilize the space, The Festival's team will provide prime responses to every inquiry, as well as a telephone # you can call anytime during relevant hours throughout the run of your show. In 12 years and 22 seasons we have successfully hosted 1,400 plays and 300 musicals, as well as rewarding over 300 participating artists cash prizes.
o Deadline: TBD
o Application Fee: None
o Eligibility: Submissions Accepted from a 30-mile radius outside of Manhattan and only run if the entire cast and crew are from New York City. Plays are considered on a first-come, first-serve basis. The earlier you submit, the better your chances are of having your script invited to the festival. Each applicant is fully responsible for all elements of their production, including directing, casting, stage-managing. We know exactly what you need to make your show a success and we welcome you into our community of playwrights and theater innovators!
o Categories: Plays, Musicals
Nomad Theater
Nomad Theatre seeks new unproduced short plays to be a part of our upcoming season! Our mission is to provide an immersive theatre experience by exposing audience members to eclectic and moving stories, taking theatre outside of a traditional theatre space and into site-specific locations. This year, we have three opportunities for playwrights to submit their original new short plays. Open to US playwrights, selected plays in our mainstage season receive a $15 honorarium ($40 for one-acts selected for By The Fireside) full production and a ticket to attend. Selected plays must be unpublished and unproduced at time of submission. We encourage anyone to submit, even if you've never written a play, especially underrepresented playwrights, including women, LGBTQIA+, BIPOC, disabled, etc. Nomad will not produce theatre that is derogatory Entries will be judged on the following criteria:
How well it meets the theme.
Overall writing quality (Plot - we like different or quirky, weird, out-of-the-box theatre; Character Development; Dialogue)
Suitability for our actors and space - low tech, 1-4 characters, flexible casting
o Deadline: May 2025
o Application Fee: None
o Eligibility: One submission per playwright per opportunity (three submissions total)
We suggest formatting similar to the Dramatist Guild Guidelines
A cover page should include the title, the playwright's name, contact information, a brief synopsis, and character descriptions
Pages should be numbered
Minimum of 1, maximum of 4 characters
No musicals
o Categories: One-Act Plays
o Contact: nomadtheatresubmissions@gmail.com
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1" and no greater than 1.5".
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
The Tank Presents
Each season, our The Tank Presents program serves hundreds of emerging artists as they create over 1000 performances of new works in music, theater, film, dance, comedy, and storytelling. As part of our mission to remove the economic barriers from the creation of new work, we never charge our artists to use our space for their performances! In addition, we also provide free rehearsal space, as well as free marketing and promotion of their event. Our The Tank Presents presenting model removes the daunting cost of space rental from the equation of art making, and provides an affordable home for emerging artists to create art that pushes the boundaries of their mediums. Through this program, artists can present readings, works-in-development, short runs of full theatre productions, screenings, concerts, storytelling festivals, comedy shows, and more.
o Deadline: None Given
o Application Fee: None
o Eligibility: To submit work for consideration as part of Tank programming, please email submissions@thetanknyc.org with the following information:
Show title
Discipline (theater, music, comedy, etc.)
Approximate running time
Summary of piece
Brief summary of artistic goals
Brief explanation of how the piece exists in the world (i.e. - art exhibit, soundscape, outdoor experience, digital hybrid)
Sample of work that will give us a sense of what it is you're trying to make and that you know how to make it
Bio of lead artist(s)
The name of the Tank show you viewed
Submissions are accepted on a rolling basis.
o Categories: Plays
o Contact: submissions@thetanknyc.org
Diversionary: Seeking new, full-length LGBTQIA+ works
Diversionary is always seeking new, full-length LGBTQIA+ works for consideration. Please follow the guidelines below if you would like to submit your work. Because of the volume of submissions, those that do not follow the guidelines will not be considered.
o Deadline: None
o Application Fee: None
o Eligibility: Please send all of the above items as a single document in pdf format to frankie@diversionary.org. For music, please send the items in mp3 format or include a link to be accessed. No physical submissions sent to the theatre will be considered.
a one-page synopsis, character breakdown, and playwright bio
a development/production history of the submitted work (including date written and any readings, workshops, and full stagings)
a ten-page sample of the work
three audio recordings of music, twelve minutes total, if it's a musical
o Categories: Full Length Plays, Musicals
o Contact: frankie@diversionary.org
Murmuration Theatre
Murmuration Theatre Company is seeking plays that have a cast size between 2-11 for our 2023 & 2024 seasons Accepting work for consideration in the following categories: New Voices Showcase: Curated selection of 4-10 new plays (scripts 2 - 40 pages); fully staged and directed by our creative team. Mainstage Show: a one act or full length play (scripts 35 - 120 pages); fully staged and directed by our creative team. In development: Actor's Lab Performance Series: a monthly selection of scenes or short plays (any length), performed at workshop or staged reading level.Playwrights selected for our mainstage production will receive $30 per performance of their one-act or full length play; playwrights selected for our New Voices Showcase will receive $10 per performance of their short or one-act.
o When/Where: Brooklyn, New York
o Deadline: None
o Application Fee: None
o Eligibility: Please submit PDF copies of scripts via the google form below, and feel free to reach out to murmurationtheatreco@gmail.com with any questions or concerns. Multiple submissions are allowed. Preference will be given to playwrights who are able to attend at least one performance of their work in the NYC area.
We will be accepting submissions on a rolling basis, and hope to be in touch with responses within 30 days of submission. Please feel free to reach out after that point if you have not received word from our team.
Solo Shows, Theatre for Young Audiences and Musicals will not be considered.
New writers as well as writers with voices that have historically been underrepresented in the theater industry (gender identity, sexual orientation, race, ethnicity, religion, ability status, etc.) are encouraged to apply.
o Categories: Full-Length Plays, One-Acts
o Contact: murmurationtheatreco@gmail.com
Manhattan Repertory Theatre Play Production Program
Self-Produce a production of your best play in New York City as live theatre comes back to life in this New Renaissance of Theatre. We will do all the work, from hiring a production team and staff, to casting, directing, building costumes, set design, lighting design, payroll and more. From 3 performances to 20 performances for one simple Production Fee. Pre-Pandemic, 2017 - 2019, we produced 60 plays in Midtown Manhattan for playwrights all over the world. Production time frames available: Late Autumn 2021, Winter/Spring 2022.Currently, as we move back into production in New York City, we are only accepting Full-Length plays and Musicals - 60 to 150 minutes. Production fees range from $12,000 to $50,000 depending on the "size" of your production, scenic elements, and the number of performances.
o Deadline: TBD
o Application Fee: None
o Eligibility: If you are serious about self-producing your play in New York City, please forward us: An email cover letter with information about you and your work. your play attached as a .pdf, an attached Synopsis of your play, with the approximate running time, and your set, lighting and costume requirements.
o Categories: Full Length Plays, New Plays
o Contact: manhattanrep@yahoo.com
Shubert Fendrich Memorial Playwriting Contest
To encourage the development of quality theatrical materials for the educational, community and children's theatre markets, Pioneer Drama Service is proud to sponsor the annual Shubert Fendrich Memorial Playwriting Contest.
This is an ongoing contest, with a winner selected by June 1 each year from all eligible submissions received the previous year. All eligible plays accepted for publication will be considered contest finalists, from which the winner will be selected. The contest winner will receive a $1,000 royalty advance in addition to publication.
o Deadline: Ongoing
o Application Fee: None
o Eligibility: You can start the submission process by contacting us here.
We will only consider manuscripts with a running time between 20 and 90 minutes.
Submissions must be family friendly in both subject and language. NO cursing. NO explicitly adult content.
We prefer casts that are either balanced or favoring females. The more gender neutral roles, the better.
We favor plays and musicals with ensemble casts, where more than just a few have a chance to shine.
Plays with elaborate set, costume or technical requirements are not appealing because of the limited resources of many of our customers. Pictures, sketches or descriptions of your vision are always helpful.
We recommend your submissions have had at least one production or reading, hopefully staged. We feel this fundamental field test is necessary before a play can be considered for publication since plays are created for the purpose of performance.
Manuscripts must be computer-printed in dark ink. We do not require specific formatting. However, your efforts to ensure your script is free of misspellings and typos will help the submissions editor.
We hope that Pioneer Drama is your first choice as a publisher, and we encourage you to submit to us exclusively. However, we do accept simultaneous submissions with the understanding that you will accept the first contract you're offered and not use the situation to seek multiple offers from which to choose. If you receive another offer, please notify us immediately so we may rescind your submission.
The following information must accompany your submission or query:
100-200 word synopsis.
Cast list that indicates the number of female roles, the number of male roles and the number of roles that can be performed by either gender. We do not accept one-person shows.
Running time.
CD and/or score for musicals. We appreciate the opportunity to hear the music, if possible.
Set design(s). Please feel free to provide diagrams and/or pictures.
Proof of production or staged reading (i.e., review, program, etc.) A DVD of your performance is ideal, though not required.
Age of intended audience.
A self-addressed envelope of sufficient size with appropriate postage for the return of your materials. We will NOT return manuscripts or accompanying material if this is not included.
Cover letter and/or resume.
o Categories: family friendly
o Address: Pioneer Drama Service, Inc. Attn: Submissions Editor PO Box 4267
Englewood, CO 80155-4267
o Contact: https://www.pioneerdrama.com/ContactUs.asp?ID=6
Urban Stages Emerging Playwright Award
Our $500 Emerging Playwright Award (coupled with press coverage) is given to playwrights who show excellence and dedication throughout this process – from development to the stage. Out of hundreds of submissions a year, we select 15-20 plays for readings. From these, we select 1-3 plays annually to go on to our workshopping phase. Our workshops are meant to prepare a play for our Off-Broadway stage. From our workshops, we select 1-2 plays for full productions, complete with a playwright's contract and compensation (separate from the award).
o Deadline: Ongoing
o Application Fee: None
o Eligibility: Plays may have been developed or produced elsewhere, but never produced in New York City. Plays from overseas and throughout the US are accepted and considered, but special attention will be given to playwrights who live in or near New York
o Categories: Full Length Plays, New Plays
o Contact: 212.421.1380
ONSTAGE Audition
For US, By Us at Green Room 42
For Us, By Us is a bold, satirical, and unapologetically Black cabaret celebrating the legacy, joy, and chaos of Black musical theatre, Black culture, and Black music. Rooted in community, storytelling, and pure theatrical energy, it's basically a cookout… with Broadway vocals, R&B riffs, gospel spirit, and a little bit of organized mess. This show is primarily for Black artists, but we are also seeking performers of color and yes—white people, don't be scared! We need you for the chaos (and we might need someone to sing A Whole New World or Whistle While You Work, respectfully). For Us, By Us is meant to be joyful, soulful, and fun—not too serious. It's a satire, a celebration, and a love letter to Black brilliance.
o Deadline: Auditions will close in May 2025
o Details: Singers with strong stage presence, comedic timing, and bold, theatrical personalities
Music Director/Accompanist (piano-based) to assist with rehearsals and live performance
Submit a 1–2 min vocal video (preferably a song fitting the vibe—gospel, musical theatre, R&B, pop, soul, or country)
Suggested song ideas: I'm Here (The Color Purple), Rise Up (Andra Day), A Change Is Gonna Come (Sam Cooke), Run and Tell That (Hairspray), Family (Dreamgirls), Jimmy's Rap (Dreamgirls), and more.
You can suggest a song you'd love to sing—but note, the final set list will be curated based on everyone's voice types and the overall show arc.
Include a song you'd LOVE to sing and a song you would NOT want to sing.
Optional: headshot, resume, or anything else you want to share!
o Audition Information: Submit a brief resume or description of your experience
Let us know if you're comfortable playing R&B, gospel, musical theatre, and/or pop styles
Optional: share any clips or examples of past accompanying work
For more Onstage opportunities, visit Backstage.com; ActorsAccess.com; and Playbill.com.
BACKSTAGE
The Ryan Hudak LGBTQ+ Dramatic Writing Award
The Ryan Hudak LGBTQ+ Dramatic Writing Award is open to New York State playwrights and screenwriters, including those who live within the five boroughs of New York City.
o Deadline: June 17
o Application Fee: None
o Eligibility: Applicants must meet the following criteria:
Must be a working playwright or screenwriter. Acceptable forms of playwriting or screenwriting include stageplays, screenplays, teleplays, libretti, radio plays, and audio dramas. No audio is accepted.
Must self-identify as LGBTQ+.
Must be a current full-time resident of New York State for a minimum of 12 months at the time applications close.
Must be at least 25 years of age at the time the application closes.
Cannot be enrolled in a degree-seeking program of any kind.
Can be past recipients of any NYFA grant or fellowship programs, except past recipients of the The Ryan Hudak LGBTQ+ Dramatic Writing Award.
Cannot be a NYFA employee, members of the NYFA Board of Trustees or Artists' Advisory Committee, and/or an immediate family member of any of the above.
o Contact: apply@nyfa.org
Neukom Literary Arts Award for Playwriting 2025
The Neukom Institute for Computational Science at Dartmouth College – in collaboration with Northern Stage – is excited to announce the 2025 Neukom Institute Literary Arts Awards for Playwriting, for full-length plays and other full-length works for the theater addressing the question "What does it mean to be a human in a computerized world?". The award comes with a $5,000 honorarium as well as a weeklong workshop and public reading produced by Northern Stage (https://northernstage.org/) in early 2026. Note that works that have received a full production are NOT eligible for the competition
o Deadline: May 1
o Application Fee: None
o Eligibility: An anonymized (blinded) copy of the piece
Playwright resume/bio
Production history of the piece
1 page statement of purpose that answers the following questions:A. How does your piece address the theme of exploring humanity in our computerized, digital world?
B. The winning play will have a weeklong workshop and public reading at Northern Stage in White River Junction, VT in early 2026. What are your developmental goals for the play and how would this workshop serve those goals?
o Categories: Full Length Plays, New Plays
o Contact: Questions? Email Brandy (Yijin) Zhang bzhang@northernstage.org and Mandi Benjamin mbenjamin@northernstage.org.
Lincoln Center Fellows Program Senior Manager
The Lincoln Center Leadership Fellows Program (LCLF) is a prestigious, highly selective board readiness program for private sector leaders who are interested in making an impact by becoming a trustee of an arts organization. The goal of the program is to provide Fellows professional and personal development during the 18-month fellowship to prepare them to be elected trustees of various Lincoln Center resident organizations. This prestigious fellowship engages participants through thoughtfully curated learning sessions on cultural nonprofit management and governance, artistic programming, audience cultivation, fundraising and innovation, and by providing access to performances, events, and social networking opportunities. Fellows hear from leading Trustees and top executives across sectors in NYC, Arts philanthropists and Lincoln Center Leadership who offer their real-world perspective as fiduciaries of Lincoln Center's resident organizations. Fellows are encouraged to engage in an exchange of ideas and insights that help take the Lincoln Center campus to new heights. Each Fellows class represents a diversity of professional experiences, artistic interests and backgrounds, in alignment with Lincoln Center's commitment to inclusive excellence at every level. Housed in the Advancement and Innovation department of Lincoln Center for the Performing Arts, the Senior Program Manager (PM) will report directly to the SVP, Advancement and Innovation who oversees the Fellowship. Alongside the SVP, the PM will support the growth and stewardship of this innovative program. Given the nature of this role, the ideal candidate must possess strong project & time management abilities, and demonstrate ease & effectiveness in managing relationships across all levels of seniority. The PM will help drive project success towards budget and impact targets.
Primary Responsibilities:
Drive the development of a learning and network-building plan that exposes Fellows to the business of nonprofit management, including strategy; financial planning and analysis; fundraising and development; marketing; and audience access.
Research and identify potential Fellowship candidates utilizing prospect research databases, networking, etc.
Coordinate start-to-end logistics and planning for events and networking opportunities for Fellows
Collect and analyze key metrics and prepare reports about the status and impact of the program
Track program budget
Support proper governance, with respect to the nomination and selection of Fellows, and board placement, among other actions.
Support the development of the Fellowship's alumni network.
Engage with Fellows to understand and support their individual interests and desired outcomes.
Optimize the value of the program for resident organizations by understanding each organization's goals and strategy.
Fulfill requests to access Fellowship benefits and access
Special research projects as requested
o Compensation: $105,000.00 To $120,000.00 Annually
Senior Director of Ticketing & Customer Service, The Metropolitan Opera
The Senior Director of Ticketing & Customer Service for the Metropolitan Opera drives policy, standards, and accountability for a world-class customer service operation of over 40 staff and works as a critical member of the Sales & Marketing team to achieve the organization's earned and contributed revenue goals. The Met seeks an individual who can continue its long history of exceptional customer relations across all Met performances and offerings, including ticket and subscription sales for performances at the Metropolitan Opera House, worldwide customer service for Live in HD, digital products and platforms, donor relations, merchandise ecommerce, and more. The successful individual will understand the diverse, complex, and rewarding nature of collaborating within a world-class 21st century arts organization, while being prepared to evolve practices and policies to serve an ever-changing audience base. They will need the motivation and nuanced leadership acumen to own and drive complex projects while building buy-in and ensuring long-term success. The Senior Director of Ticketing & Customer Service leads a large operation of skilled customer service and order fulfillment professionals responsible for handling over $80 million in annual box office revenue, and annual attendance of 650,000. A commitment to the ongoing development of this team and its individual members is of the utmost importance, along with an ability to stay abreast of cutting-edge developments in technology and customer experience to ensure the operations are evolving apace. The Senior Director of Ticketing & Customer Service is a critical member of the Sales & Marketing team and provides leadership of the Customer Service team in carrying out all functions in the most efficient way possible. The Director is responsible for maximizing the use of Tessitura across the organization and overseeing the team that provides direct application support, focusing on a CRM strategy that maximizes sales and donations through analysis of customer insights. The role directly supervises: Director, Call Center & Donor Relations; Director, Tessitura Systems Support; Subscription Services Manager; Director, Revenue Processing & Data Entry; and Special Services Manager.
Primary Responsibilities: Leadership
Lead the Customer Care team in serving every customer efficiently, with a focus on maximizing ticket sales and donation revenue to achieve the Met's institutional goals.
Provide Met audience members across all performances and programs with an exceptional customer service experience.
Ensure that the Customer Care team is equipped with the necessary tools to carry out their core functions, and communicate information about all current Met performances, programs, and activities.
Serve as the primary liaison between the Marketing team and members of Local 210 (Call Center), as well as a key liaison with Local 751 (Box Office). Design and facilitate regular collaborative communication between Customer Care and fellow Met departments.
Determine ongoing needs of both team and individuals to continue to develop in their professional capacities.
Technology & Applications
Manage support of the Tessitura application, including support of external users, such as third-party ticketing partners and consultants.
Lead the Application Support team to address organizational needs, prioritize requests, and implement standard and required changes and modifications.
Test and go live with all new Tessitura application releases.
Encourage utilization of on-going training programs using network resources.
Partner with web team to optimize the digital experience, including ecommerce functionality, tech-enabled customer care, and systems integration.
Work with web vendors and internal website team to implement project changes for annual ticketing programs.
Customer Service Policy & Training
Design and implement customer-centric policies that ensure optimal service and efficiency for both Met audience and staff.
Manage customer relationships, problem resolution, and deliver service to the internal and external customer base for the Met, American Ballet Theatre (ABT), and rentals.
Identify opportunities to enhance processes and procedures within the department.
Create and implement systems to address and resolve instances of customer friction or dissatisfaction.
Serve as the internal ambassador for audience members, constantly aiming to improve service from all departments.
Develop comprehensive plans for training the entire customer care staff.
Support organizational Tessitura training.
Order Fulfillment: Ticketing, Membership, and SubscriptionManage the staff directly responsible for fulfilling ticket orders from inception to fulfillment and delivery for the Met, ABT, and rentals.
Work with the Marketing Department and Box Office to ensure that ticket fulfillment processing is being carried out smoothly and efficiently.
Coordinate interdepartmental processes in order to ensure smooth workflows.
Ensure that end-to-end subscriber ticketing experience (including processing, seating, and changes) is carried out smoothly.
Ensure sound processes for all data entry of membership gifts and ticket orders, while ensuring consistent constituent records and high data integrity.
Inbound Customer Care
Work with the Call Center and Donor Relations Director to properly implement all marketing programs and ticket sales plans for Met, ABT, and rentals.
Ensure that all Inbound Call Center representatives receive materials and project plans for any new initiatives.
Analyze calling patterns, review statistics, recommend upselling incentive programs, and verify the department is adequately staffed to meet organizational goals.
Other Responsibilities
Participate in new system development and procedure design and implementation.
Work on special projects, i.e. Met Opera app, Met Opera On Demand integration, Live in HD, etc.
Collaborate with various departments on projects as needed.
Provide auditor with all audit requests and make necessary adjustments to process to conform to audit requirements.
Review and evaluate all customer order forms and marketing mailing pieces and identify areas for improvement.
Create procedures that will provide other departments with productive information.
Manage Pay and Non-pay department budgets.
Make process recommendations as required.
o Compensation: $160,000 - $180,000 a year
Director of Development & Marketing
In partnership with the Executive Artistic Director, the Director of Development and Marketing (DODAM) will be tasked with the development and marketing implementation for the Montgomery Theater, located in Souderton, PA. Development responsibilities include management of individual giving campaigns, corporate giving, grant writing, and special fundraising events. Marketing responsibilities include strategizing and implementing email campaigns, social media, print materials, managing special offers, and additional advertising as needed.
DEVELOPMENT AND COMMUNITY RELATIONS
- As an advocate of the theater, the DODAM develops strong relationships with patrons, donors, professional organizations, other theaters, and community leaders
- Responsible for all giving including individual, corporate and sponsorship
- Responsible for the grant-writing process, including 6 annual grants and approximately 2-5 additional applications per year
- Plan, organize, and attend all fundraising eventsMARKETING
- Oversee and prepare advertising, publicity, press releases, and production literature in partnership with the Marketing and Production Coordinator
- Develop and execute promotional plan for educational programming
- Database and website management
- Grow existing subscription program
- Coordinate and promote special eventsADMINISTRATION
- Oversee administrative staff and volunteer personnel
- Manage space rentals
- Various other administrative tasksREPORTS TO Executive Artistic Director
SUPERVISES Marketing and Production Coordinator & Office Volunteers (2-3 per year)
o Start Date: June 2nd
o Compensation: $55,000.00 – $60,000.00 per year
Milwaukee Repertory Theatre
o Seeking: Various Roles
o Location: Milwaukee, WI
o Website: https://www.milwaukeerep.com
For more information: https://www.milwaukeerep.com/about/work-us/jobs/?fbclid=IwAR2lXyj99fIOhY8MmQ5n4XRveG1wEqPl2mL_9w7A1-WVpLoZhqwUDc-2Crc
Milwaukee Repertory Theater is an Equal Opportunity Employer and values and encourages a diverse workforce. We invite you to review jobs that are currently available.
Full-time employee benefits include health, dental and voluntary vision and disability insurance; flexible spending accounts; retirement plan; parking programs and complimentary tickets.
Application Instructions
Send your letter, resume and salary history (PDF or Word attachments only) to the email address listed in the job listing.
Oregon Shakespeare Festival
o Seeking: Various Roles
o Location: Ashland, Oregon
o Website: https://www.osfashland.org
For more information: https://www.osfashland.org/work-with-us?fbclid=IwAR2cqx7fSs1YYwa2I86SMVxJjZ8ns4ba2RqsEr51mMKIVWdiIL7ByQ4Lv8U
Located in the beautiful Rogue Valley of southern Oregon, the Tony Award-Winning Oregon Shakespeare Festival presents a season of eleven plays in rotating repertory across three theaters between the months of February and October. Additionally, OSF offers extensive educational opportunities to students, teachers, and theatergoers of all ages during our performance season.
We offer employment and career opportunities in a wide range of positions (acting, other performing opportunities, scenery, costumes, lighting, marketing, finance, etc.). We encourage you to check our website regularly for openings.
Two River Theater
Two River Theater annually produces a theatrical season that includes American and world classics, new plays and musicals, programs for young people, and festivals of new work. Each year, we also offer 40+ events that reflect our diverse community of Red Bank, New Jersey. Two River celebrates and honors our core values of Artistic Excellence; Education and Community Engagement; Equity, Diversity, and Inclusion; and Operational Excellence. Anyone who joins our team quickly becomes part of putting all of our initiatives into action day in and day out. Two River Theater is led by Artistic Director John Dias and Managing Director Michael Hurst.Two River Theater is dedicated to the goal of building an equitable and culturally diverse work environment and strongly encourages applications from members of underrepresented groups.
o Seeking: Various Roles
o Location: Red Bank, NJ
o Website: https://tworivertheater.org/jobs/
The Kate Spade New York Foundation
o To honor Kate Spade's legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation's belief in "the power of women to transform their communities" through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
For more Offstage opportunities, visit OffStageJobs.com and Playbill.com.
FUNDING OPPORTUNITIES
Legacy Playwright Grant
AGE is proud to announce the return of its originative initiative, the AGE Legacy Playwright Grants (ALP) in 2024! In our continuing commitment to the social justice arts movement, AGE Founder Jane Mantiri created the ALP Grant to continue the AGE legacy of investing in artists who have been underrepresented and underserved because of age, race, and gender. Plays produced and directed by these artists on Broadway and at major regional theatre companies are rare, and this lack of representation negatively impacts BIPOC artists of marginalized gender* even more. American Theatre has to do better. Our solution? Invest directly in those telling the stories. AGE seeks to change the equity landscape of the American Theatre canon by increasing the representation of BIPOC playwrights 40+ years of age of marginalized gender. Additionally, in our creation of this initiative, we aimed to amplify the integrity of the recipients. AGE is therefore intentional in making sure that three playwrights receive individual unrestricted grants of $10,000 each. When funders dictate how grant money is used and require complex systems of documentation, oversight, and conditions, it can disempower the recipient. We are mindful of the layered history of oppression, trauma, and disempowerment for BIPOC people of marginalized gender. At AGE, equity means creating environments where everyone can achieve their goals. Giving agency to the recipients is how we practice equity. The recipients will determine the course of their professional journey and we are honored to witness and invest in their success.
o Deadline: May 15
o Application Fee: None
o Eligibility: Identify as BIPOC
40+ years of age
Identify as a person of marginalized gender or gender-diverse. We use the terms "marginalized gender" or "gender-diverse" to refer to our community of members who experience marginalization due to their genders. This includes cisgender women, transgender women, transgender men, non-binary people, among many other marginalized gender identities. Please note- marginalized gender is not the same as a marginalized person, nor does it relate to sexuality.
Identify as an emerging artist. Emerging means that the playwright has had no more than one play fully produced in one or more professional theatre(s). Readings and workshop productions are exempt.
Have an original draft of a full length play completed at the time of application; while not necessary, it is highly encouraged that the script have at least one principal character who is a BIPOC person of marginalized gender, 40+ years of age. Special consideration will be given to plays that fulfill this suggestion.
Live and work in the United States or Puerto Rico and are able to submit a W9 if chosen as a Finalist or Recipient.
Audible Emerging Playwrights Fund
In 2017, Audible launched a theater initiative, intended to radically increase access to exceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners. The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
o Deadline: None
o Application Fee: Free
o Eligibility: please submit all of the following to AudibleTheater@audible.com:
One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
A short biography; and
A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required)
o Contact: AudibleTheater@audible.com
Steven Schwartzberg Grants for Mental Health & Wellness
Writers are the beating heart of theater, whom we rely upon to take us on journeys and inspire us to think. During these unprecedented times, DGF has created the Steven Schwartzberg Grants to provide financial support for mental health and wellness services for writers. To help connect writers to therapists, DGF has partnered with Advekit, an online therapist matching service, to expand access to mental health support that might be out of your reach.
Please complete the form to receive $1,000 toward therapy through Advekit, courtesy of DGF.
If you already have a therapist or are seeking mental wellness support other than Western talk therapy, DGF is working on ways to support you in your wellness.
NYC Department of Cultural Affairs (DCLA)
The NYC DCLA is dedicated to supporting and strengthening New York City's vibrant cultural life. Among our primary missions is to ensure adequate public funding for non-profit cultural organizations, both large and small, throughout the five boroughs.
They have many grants tailored to the needs of artists living and working in the city throughout the year.
o Deadline: Ongoing
o Application Fee: Freeexceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners. The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
o Deadline: None
o Application Fee: Free
o Eligibility: please submit all of the following to AudibleTheater@audible.com:
One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
A short biography; and
A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required)
o Contact: Audible
o Eligibility: Independent Artists and Groups
o Address: New York City Department of Cultural Affairs 31 Chambers Street New York, New York 10007
o Contact: 212.513.9300
SubletSeries@HERE Program
This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, technical assistance, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, color scrollers—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Independent Artists and Groups
o Address: HERE Program 145 Sixth Ave New York, NY 10013
o Contact: 212.647.0202
Annenberg Foundation
The Annenberg Foundation does most of their funding in the arts, culture, and humanities to organizations in the counties of Los Angeles, Orange, Riverside, San Bernardino, and Ventura. The Annenberg Foundation's arts and humanities grants are available to agencies that serve the greater Los Angeles region, typically with budgets over $5 million.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Arts, culture, and humanities in greater Los Angeles region
RESIDENCIES
2025 Lanesboro Residency
A place-based program for early career artists where art and the artistic process instigates positive change, addresses or creates an opportunity to move the community forward or is otherwise be central to problem-solving. Supported by the Jerome Foundation, the Lanesboro Early Career Artist Residency program is an opportunity for early career artists from Minnesota and the five boroughs of New York City to explore ways in which their work can be applied to the community and how Lanesboro's rural community can inform their work. This place-based and community-engaged residency program was designed to align with and amplify Lanesboro Arts' vision for communities–especially rural communities–to embrace artists as economic drivers, culture bearers, community builders, and problem solvers. Lanesboro Arts is especially seeking residency projects where community engagement is integral to the art making or projects where public interaction with the work is at the core of an artist's practice. Before submitting an application, please take moment to review our program guidelines and eligibility criteria. The Round One application deadline for the 2025 Lanesboro Early Career Artist Residency Program is Friday, May 30, 2025 at 11:59 p.m. CST. The application opened on April 18th, 2024.
o Deadline: May 30
o Eligibility: Round One of the application process asks for basic information about the artist, their demographics, and a bit about the proposed project. Round One applications are open to all and are due May 30, 2025 at 11:59 pm. Applications are then reviewed by Lanesboro Arts staff for alignment and best fit with program mission and goals. Following review, applicants will be notified of their application status by June 11th. A smaller pool of selected applicants will then be invited to apply for Round Two, which includes more detail about the artist and their proposed community project. Round Two applications are due August 1st, 2025 at 11:59 pm and are reviewed by a diverse jury of artists from around the state of Minnesota.
Artcroft Center for Arts and Humanities
Residencies of an average of 2-8 weeks for visual artists, writers, actors, and performance artists. Residency provides housing, studio, and meals; artist responsible residency fee ($40/day), deposit (10% of residency fee), travel, materials, and local transportation.
o Deadline: Ongoing
o Application Fee: $25
o When: 2-8 weeks
o Eligibility: Residencies are available to established and emerging visual and literary artists 18 years of age and older without regard for race, gender, sexual orientation, or religion.
o Address: Artcroft Center for Arts and Humanities 2075 Johnson Rd. Carlisle, KY 40311
o Contact: artcroft@msn.com
Other Resources NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
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