During September and October 2015, over fifty theatres in the Washington, DC area will present world premieres of works by 55 women playwrights, along with dozens of other special events including workshops, readings and discussions. It's the first time in history that so many theatres have worked together to produce a festival of original works by female writers. You can see the list of plays on the Women's Voices Theater Festival home page.
This festival feels like a major turning point because so many men and women from companies large and small with a wide range of artistic visions have joined forces to celebrate women in theatre.
When Susan Stamberg asked Lisa Kron if she had any tips for other women playwrights, Kron made several important points. First, she stressed that the path will be different for every woman artist, and that her own career was shaped by being in the East Village and seeing the ground-breaking work of Peggy Shaw, Lois Weaver, and Deb Margolin of Split Britches.
Second, she said it is important to remember that making art and making a living from art are two different things. It is wonderful to be able to make a living from your art, but she knew many, many talented people (even talented straight white men) who were not able to do it. She said that the theatre world is not fair, and she felt that people need to come to terms with that.
Finally, she urged playwrights to remember that their primary relationship is to their audiences, not to the producers. She feels it is very important for women playwrights to choose producers who will help them reach their intended audiences.
In her own case, she had spent years working with the Five Lesbian Brothers at the beginning of her career. She said it was frustrating because critics would not come no matter how good the work was, but on the other hand, those years were "an incredible gift" because the company was able to focus completely on making shows that would delight them and their particular audiences. Those years taught her to focus on her relationship to the audience and the joy of the work, and those lessons have stayed with her.
At the end of the interview, Kron made one final point, "The goal of parity is for there to be as many bad plays by women and people of color as there are by white men. At this magnificent festival there will be great plays and not so great plays in the same ratio as everywhere else, and that's what we are going for."
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Women in Arts and Media Coalition in collaboration with WomenArts and the League of Professional Theatre Women is publishing free newsletters for theatre and film/video artists listing submission opportunities, grants, auditions, residencies and more. Click the links below or follow the #StageOpps and #ScreenOpps tags on Twitter. There are links at the bottom of each funding newsletter which will let you sign up to receive them by email.
Theatre Artists - You can see the current issue of #StageOpps (formerly the Theatre Funding News) by clicking here.
Film/Video Artists - You can see the current issue of #ScreenOpps (formerly the Film/Video Funding News) by clicking here.
"The goal of parity is for there to be as many bad plays by women and people of color as there are by white men."
- Lisa Kron at Women's Voices Festival
Join the Latest USDAC Action: Dare To Imagine
The people-powered U.S. Department of Arts and Culture invites you to share your visions of the future from October 10-18, 2015.
More than 120 artists, activists, students, educators, city planners, youth, community organizers, arts administrators, and others have signed up to be USDAC "Emissaries of the Future," who will create pop-up arts activities in public spaces and online that will encourage people to think about the future they want.
The resulting texts, images, videos, and more will all be uploaded to the USDAC's online platform to create a crowd-sourced vision of the future, so that everyone will be able to share in this inspiring act of collective imagination.