#StageOpps
PROJECT SUBMISSIONS
The Hatchery New Works Development Festival
The Hatchery is a new play development festival celebrating and supporting new works for the stage that center music and movement. Produced by Portland, Oregon theater company Many Hats Collaboration, The Hatchery is a short-term, paid performance residency program with a public-facing workshop performance. Our goal is to serve local and regional artists and ensembles by providing a nontraditional new works development model that provides support in the form of money, space, marketing and audience attendance. The Hatchery promotes the creation of groundbreaking, music and movement-driven new works for the contemporary theater canon, nurtured in the Pacific Northwest. In our second year producing The Hatchery, we will select 1-2 community-sourced projects based on proposals submitted. A selection panel will evaluate proposals using the stated selection criteria using a committee-based process. The deadline to submit a proposal is January 31, 2026.
o When/Where: Portland, OR
o Deadline: January 31
o Application Fee: No Fee
o Eligibility:Projects will be evaluated based on the following:
Strength of team/artists and their collective track record of creating new work
Strength of content and ideas in the project description
Use of music / use of movement
Articulation and achievability of goals within given constraints
Many Hats' ability to create the conditions for a successful experience
o Categories: Plays
o Contact: jessica@manyhatscollaboration.org
14th Annual Columbus Black Theater Festival
Mine 4 God Productions is accepting monologues and one-act plays that have diversity, inclusion, and equity of people of color characters for our 14th Annual Columbus Black Theatre Festival (CBTF) that will be held July 2nd, 3rd & 5th, 2026 at The Columbus Performing Arts Center Van Fleet Theatre, located in downtown Columbus, Ohio. The theme for 2026 is Still Going Strong: Voices of Triumph! Our Founder/Artistic Director, Julie Whitney Scott, was given this theme, as usual, through prayer. It's a theme that inspires hope and resilience in the face of trouble. The theme represents those that have continued to stay strong before, during, through and after personal storms have invaded their lives, and how they were victorious in the end. It must be a story that is a story and not a lecture to push your views on others. It must be about everyday people and their everyday lives and their voices of triumph.
o When/Where: Columbus, OH
o Deadline: February 28
o Application Fee: No Fee
o Eligibility: The entries need to meet the following criteria:
No more than 4 to 6 characters (Actors can play double-roles.)
No derogatory, hate based, sexually explicit work will be reviewed or accepted.
Have minimal set/light requirements.
If required, play can be rehearsed/performed effectively by virtual means.
15 to 20 minutes long for one-act plays. 5 to 10 minutes long for monologues.
Written blocking notes of the play can be rearranged by the Director to meet venue space.
Must submit a titled script and a blind script without any identifying information other than the title.
Only one play submission per playwright.
o Categories: Monologues, One Act Plays
o Contact: Due to the number of plays received each year, you will not be notified unless your play is accepted. However, you can email us after February 28, 2026, for feedback on your submission at www.mine4godproductionsllc@aol.com
Glass Ceiling Breakers
Theatre Revolution is proud to announce submissions are open for Glass Ceiling Breakers: 2026 A Festival of Short Plays and Films by Women Artists! GCB 2026 is scheduled for June 5, 6 and 7, 2026 at the Philipstown Depot Theatre in Garrison NY.
o Deadline: January 17
o Application Fee: No Fee
o Eligibility: Plays must be written by female or female identifying playwrights.
They can be produced or unproduced plays. Feel free to send us plays that were produced years ago that you'd like to revisit! Plays that are currently being workshopped are also welcome.
Plays should be no more than 10 minutes (we mean it!) 12 pages max (excluding the title page) in standard play format. Type size (12) with 1" margins.
If the play is 12 pages but longer than 10 minutes (lots of text) playwright may be asked for revisions if selected.
Save File as follows in PDF only: LAST NAME_TITLE OF PLAY_GCB25
All plays must be received by 11:59pm on January 17, 2026.Monologues are accepted but we prefer plays. Monologues should not be more than 3 pages.
BIPOC playwrights are strongly encouraged to submit.
Theatre and/or Playwrights will be informed in Early March
o Categories: Plays
o Contact: theatrerevolution1@gmail.com
The Old Lady Project: Call For Scripts
The Old Lady Project is an initiative to encourage the development of plays and musicals that feature significant roles for women over 50. Plays will be submitted to a national panel of directors and producers and two staged readings will occur in Evanston per year. A directory of works will be featured on the Old Lady Project webpage to facilitate connections between theatre companies, directors and producers. Scripts of any length accepted. Scripts selected will be given a staged reading at our expense, author will waive rights fee for initial staging. Author retains all rights. Organization name: The City of Evanston Community Arts Program
o When/Where: Evanston, IL
o Deadline: December 15
o Application Fee: $5
o Eligibility: Anyone!
o Categories: Full-Length Plays
o Contact: For more information, call 847-448-8263 or email aallyn@cityofevanston.org
New Works of Merit Playwriting Contest
In our 22nd year, New Works of Merit Playwriting Contest was developed to bring works of social significance to the attention of Producers, Directors, and Literary Managers
o Deadline: February 2
o Application Fee: $27
o Eligibility: Scripts no longer than 2 hours or 90 pages Stage Play Format
(PLEASE NOTE: Scripts over 90 pages, but with performance time under 2 hours, are also eligible.)
One-acts
Short stage plays
Children's plays
Published scripts
Scripts that received a workshop
Scripts that received a staged reading
Scripts that received a non-union production
Scripts produced with an AEA Showcase Code or Plan
Plays submitted must be the original work of the author and meet Mission Statement Criteria (see Home Page).
o Categories: Plays, One Acts
The Woodward/Newman Award
The Woodward/Newman Award is an exclusive honor offered by Constellation Stage & Screen, started through the support of Joanne Woodward, Newman's Own Foundation, and the Newman family, celebrating Paul Newman & Joanne Woodward's tremendous history of work on stage and screen. It presents the best unpublished play of the year with a cash prize of $3,000 and a full production as part of Constellation's Mainstage season. Please note that there are significant changes to our submission and selection process from previous years. In order to make the Woodward/Newman Award accessible to all, we have eliminated submission fees as well as the contest format. The Woodward/Newman Award will continue to be awarded to an unpublished new play once per year and come with a $3,000 cash prize and a full production. Submissions will be accepted and reviewed by our literary team on an ongoing basis, and will be considered for the award as well as for all 7 production slots in our season. So a play that is not selected for the Woodward/Newman slot in our season, may still be considered and selected for production. This will allow us to now accept open submissions for all types of plays (including TYA shows). Plays submitted by midnight, August 31st, 2026 will be considered for the 2027-28 season, while plays submitted beyond that date will be considered for the 2028-29 Season. All submissions will be kept on file for 2 years after submission.
o Deadline: August 31
o Submission Guidelines: We are currently accepting submissions for the 2027-28 Woodward/Newman Award. The award recipient will be announced by May 15, 2027. The winner will be awarded $3,000 and a full production.
"Full-length" plays should have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes). TYA shows should have a complete running time of over 40 minutes.
Plays submitted must be unpublished at the time of submission (independently published is acceptable).
Each play should be individually submitted at the following link: CONSTELLATION STAGE & SCREEN PLAY SUBMISSION.
You will be asked to submit your play as an attachment and all other information (bio, history, synopsis, character breakdown) will be entered into a form. Musical submissions may upload demos as an attachment or include a link to a shared folder.
Limit of 2 play submissions per year.
$3,000 cash prize is in lieu of royalties for the full production. Housing & transportation will also be provided.
Any unpublished play submitted to Constellation regardless of method (e.g. online form, agent submission, direct contact) may be considered for the Woodward/Newman Award.
Please note that we are moving away from a "finalists" model in lieu of keeping all plays under consideration for extended periods (2yrs). We will only announce a winner.
o Categories: New Works, Drama, Theatre
o Address: 411 E 7th ST Bloomington, IN 47408
o Contact: lIf you have any questions, please email literary@seeconstellation.org.
Pyro PlayFest
Paris Junior College Department of Drama's 11th Annual Pyro PlayFest is now accepting submissions! In a season celebrating new voices, we are looking for bold, original short plays that explore the heart of creativity — the human spirit, invention, imagination, and the drive to express. Whether you tackle these ideas literally, abstractly, or metaphorically, we want to experience the spark that fuels your storytelling! The chosen submissions will receive a full production on our 3/4 thrust stage space performed by students and community members in late April 2026, right here in Paris, Texas, on the Duane Allen Stage in the Ray E. Karrer Theater. Please note: This is a non-paying opportunity. While we are unable to offer financial compensation at this time, selected playwrights will have the opportunity to have their work brought to life in front of a live audience by a dedicated team of emerging artists and community members.
o Deadline: January 12
o Application Fee: None
o Eligibility: Unpublished, minimally produced plays (readings okay; no full productions).
Length: 10 minutes or less.
Page Limit: 10 pages max (standard format, 12-pt font, with page numbers).
Cast: No more than 6 characters.
Technical Requirements: Keep it simple — minimal sets, basic lighting, and modest props.
Theme Connection: Must explore creation, humanity, invention, or expression in some form.
o Categories: 10-Minute Plays
Nomad Theater
Nomad Theatre seeks 6-10 short plays to be a part of our upcoming show, Down on Honey Dew Acres in May 2026. Submissions will open on August 11th and close on January 1st, 2026 at midnight. Selected playwrights will receive notification by April 7th, 2026. If you have not received notification from us by that date, we did not choose you for the production. Down on Honey DEW Acres will blend immersive storytelling with the laid-back spirit of farm life. Selected plays must take place in a cedar barn on a real Central Illinois farm: Honey DEW Acres. We encourage you to use the space creatively. They must be unpublished and unproduced at the time of submission.
o Deadline: January 1
o Application Fee: No Fee
o Eligibility: 1 submission per playwright.
8-15 pages long (or about ten minutes in length)
Formatted using the Dramatist Guild Guidelines: https://www.dramatistsguild.com/sites/default/files/2020-01/General-SFI-Formatting-Guidelines-Complete.pdf
Cover page should include title, playwright's name, contact information, brief synopsis, and character descriptions.
Playwright's name MUST NOT appear on any other pages.
Pages should be numbered.
Minimum of 1, maximum of 4 actors (characters may be double cast)
Must take place in a barn.
No musicals.
o Categories: 10 Minute Plays
o Contact: If you have questions or need any accommodations for submission, please email nomadtheatre@gmail.com
Blackboard Plays - Reading Series Submission
Founded in 2008, Blackboard Plays has been devoted to Black Playwrights throughout the African Diaspora.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Black Playwrights Submit up to 10 pages in consideration for a Feature reading. A Feature and a Community Night are the two main ways to have your work supported by Blackboard. Those not selected for a feature, are encouraged to attend a community night, which is structured like an Open Mic Night for Playwrights, where up to 10 pages is cold-read by Actors in person or on Zoom (During COVID-19 Social Distancing Practices).
o Categories: Short Plays, Plays
Neurodivergent New Play Series
Neurodivergent playwrights in NYC since 2023 - is accepting recurring submissions as we prepare for our 2024-25 Season.All submissions should be for full-length plays between 45 to 180 minutes long and may have received a previous reading or production outside of NYC, as long as they are unpublished. All neurodivergent/disabled writers (autistic, ADHD, dyslexic, OCD, Tourette's, etc.) at all stages of their careers are encouraged to apply - especially BIPOC, LGBTQ+, and female-identifying writers. There is no submission fee or any other fee for being involved in this process.
o Deadline: Rolling Basis
o Application Fee: None
o Eligibility: Plays can be of any genre, although we are especially seeking works that challenge traditional methods of storytelling & have something important to say about the world that isn't being heard enough. We ask that you submit only one play every 30 days during our recurring submissions process.
Contact: neurodivergentplays@gmail.com
o Categories: Full-length Plays
Freshwater Theatre
Freshwater Theatre prides itself on constantly working with new artists, expanding our family. We're always on the lookout for new scripts and new technical artists to work with.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: While we certainly are interested in world premieres of new plays, we also are very interested in second and third productions of new works, as we believe this to be the key to finding the works that will propel theater into the future.
We will only respond to playwright submissions for plays that come into serious consideration for future production. We cannot give any specific time frame on if/when a response will be given.
o Categories: New Plays
o Contact: info@freshwatertheatre.com
SCRIPT SUBMISSIONS
Queens Short Play Festival Winter 2026
Following our successful Feastival at our new location we are pleased to announce that Queens Short Play Festival is now accepting plays for its Winter 2026 festival. The Secret Theatre seeks to promotenew work and emerging playwrights through our biannual One Act Festival. Last year's festivals were a success, and this year we are excited for more!
o Deadline: January 31, 2026 PLEASE NOTE: PLAYS ARE ACCEPTED ON A ROLLING BASIS. WAITING UNTIL THE DEADLINE TO SUBMIT IS NOT ADVISED.
o Application Fee: No Fee
o Eligibility: Plays must be between 10 and 15 minutes in length. Preference given to plays that have not been produced before. Timings must be accurate; please overestimate if not sure. We will reject any play longer than 15 minutes. A rule of thumb is one minute per page if using 12pt Courier/Times Roman
Playwrights are responsible for selecting the director and cast.(We can help you if you do not have a director but preference will be given to playwrights who can provide their own directors and actors.)
Easy to produce. (If you have a play that, for instance, includes a swimming pool, a large amount of sets and props, or anything else too elaborate or is impossible to cast, we may reject it.)
Excerpts limited to 15 mins are acceptable
Please submit plays in PDF or Word format only.
We will divide selected plays into more programs, and selected Playwrights will be informed on a rolling basis.
We offer discounted rates for rehearsals from $10 per hour for participants
o Categories: Plays
Brave New Work: Shakespeare as Prologue
New York Shakespeare Exchange and The CRY HAVOC Company are thrilled to debut our collaborative project Brave New Work, a short play development series that invites NYC playwrights to create original work inspired by, expanding, reflecting upon, remixing, and critiquing the plays of William Shakespeare. Across several weeks, four writers will craft short plays responding to a Shakespearean prompt through development workshops facilitated by NYSX and CRY HAVOC, culminating in a public reading of all four plays. Applicants need to be local to the NYC area to participate and we are especially seeking artists from underrepresented communities for this project. No fee to apply or participate; writers are paid a stipend for the use of their work in the public presentation. In year one of this project—Shakespeare as Prologue—we are looking for playwrights interested in exploring the aftermath of Shakespeare's plays. Apply with an idea for a new short two-character play that takes place after the end of a Shakespeare play (the moment after the play ends, five years later, 50 years later, 500 years later…)
o Deadline: January 16
o Application Fee: No Fee
o Eligibility: You do not have to be a "Shakespeare Nerd" to participate in this project (but if you are, you are also welcome!)
• Select a single Shakespeare play as your starting point.
• We are looking for a proposal for a 10-15 minute play with two characters.
• One character must be from your chosen Shakespeare play; the other can be invented.
• Writers will be developing their plays in a workshop feedback process; we are looking for playwrights that are interested in discussing their work and supporting the work of others!
o Categories: Plays
Pipeline Arts Foundation
The not-for-profit Pipeline Arts Foundation was created to move musical theatre forward and is focused on supporting the development of innovative work by emerging and mid-career theatre makers. In just 3 years, Pipeline has awarded over $275,000 to groundbreaking new works. This year, we're awarding over $150,000 in cash and prizes, including 3 new programs to be announced in November that further support our alums.
o Deadline: February 1
o Application Fee: No Fee
o Eligibility: All creative artists aged 21 and over are welcome to submit. Priority will be given to emerging and mid-career musical theatre artists. We accept submissions from individuals and teams, but, to maintain fairness, and to accommodate submissions from the largest possible pool of work, we only accept one submission per person, in any capacity. For example, if you submit a show where you are credited as the bookwriter, you may not submit (or be part of a team where someone else submits) another show where you are credited in any capacity (please communicate with all of your writing teams, as you may be disqualified for multiple submissions). Unproduced, full length musical theatre works are eligible. Works derived from sources other than the creative team (books, TV, movies, plays, songs) must document appropriate permissions / rights to use any materials not in the public domain. Adaptations will be accepted as long as they have been significantly reimagined in new and exciting ways, however, priority will be given to original works.
o Categories: Musicals
Seeking Decolonization Stories
We seek to commission non-musical one-act plays that focus on the underexplored relationships between our communities and climate change. We call on playwrights with the desire to share stories of resistance, celebration, and truth. We are looking for playwrights who write in Spanish, Portuguese, native languages, English, or any combination of these to send a sample of playwriting that they consider representative of their work in light of this prompt. We will accept applications from November 1st to December 10th. From the applications we receive, our selection panel will choose 3 to 5 playwrights to be part of the resident cohort of Decolonization Stories: Climate Change Edition. This commission includes a playwriting residency, workshop, and public reading as part of the Decolonization.
o Deadline: December 10
o Application Fee: No Fee
o Eligibility: Selected playwrights will have eight (8) weekly meetings between April and May 2026, followed by four (4) bi-weekly meetings between June and July 2026 with playwright Diana Burbano. All meetings will be on Zoom.
• Each playwright will write a one-act play responding to the prompt.
• Each playwright will receive $50 after signing the agreement and attending the first day of the four-month residency.
• Each playwright will receive $950 compensation upon delivering their completed script.
• Commissioned works will be workshopped during the summer of 2026.
• Commissioned works will be presented as staged, directed readings in the fall of 2026.
o Categories: Plays
A is For seeks one-act plays on reproductive justice
A is For is currently accepting submissions for one-act plays about reproductive justice. The A is For Playwriting Contest and the all it takes is ONE ACT Play Festival engages playwrights who are passionate about abortion rights and reproductive justice, and offers audiences the opportunity to see those stories performed by theatre professionals in live staged readings. Since the inauguration of our Playwriting Contest in 2020, we have received over 1,000 one-act plays about reproductive justice from all around the world, and have brought 12 of them to the stage! A is For amplifies art and artists working to eradicate stigma against abortion. We believe that theatre deepens our relationship with the world around us by inviting us to empathize, and recognize our own belonging. We are looking for plays that challenge stigma against abortion. We want to hear the stories you want to tell.
o Deadline: January 18
o Application Fee: No Fee
o Eligibility: Your play does not have to be about abortion literally. (Although it can be!) If you are exploring the impact of shame and stigma as an obstacle to autonomy and liberation, we're interested. The plays we hope to bring to the fore will be diverse in perspective as well as imagination. They may be personal and realistic, or they may be allegorical. They may be fantastic, sprung from dreams, or they may be grounded in naturalism. From the surrealist to the literal. From magical realism to documentary. Whatever form or shape they may take, we hope to receive a wide range of works from all over the country – and beyond!* – reflecting the great variety of experiences that reproductive justice and/or bodily autonomy demands we all recognize.
o Categories: One-Act Plays
Labute Festival
Created and staged exclusively each summer by STLAS, at The Gaslight Theatre in St. Louis and 59E59 Street and Davenport Theaters in New York. Submissions will be accepted October 1, 2025 through January 31, 2026(Postmarked).
o Deadline: January 31
o Application Fee: No Fee
o Eligibility: Submissions should be sent to: LaBute New Theater Festival, St. Louis Actors' Studio, 360 N Boyle Ave, St. Louis, MO 63108S
Successful entries will have no more than four characters and be crafted specifically to exploit our intimate performance space. (18′ x 18′ stage) Changes in scenery or setting should be achievable quickly and with few major set moves. Our focus is on fundamental dramaturgy: plot, character and theme.
Professional, new and previously unproduced one-act play submissions should include a letter of inquiry, a synopsis and a 10-page sample from the script. Running time for each performance should not exceed 45 minutes. Up to Eight plays will be chosen. In addition, a new piece from Mr. LaBute will be performed every night for the run of the festival.
o Categories: One-Act Plays
o Contact: For more information: 314-458-2978 or help@stlas.org
The Road
The Road is proud to begin its SEVENTH year of Under Construction, a playwright's group that develops socially and politically relevant voices and thoughts to the American stage. Under Construction will be meeting both virtually and in person in 2026 and is open to playwrights on a national level. We will be selecting 8 playwrights to join the virtual 2026 cohort and 8 playwrights to join us live at our theatre. Beginning in January 2026, this group will meet twice a month live (TUESDAYS @ 7PM). And on Zoom for the virtual cohort (Day/Time TBD). As we get closer to full reads, sessions will be every week. Regular Attendance is required!
o Deadline: December 15
o Application Fee: No Fee
o Eligibility: Each playwright must enter this group with the beginnings of a new play, and we will work collaboratively for a 10-month gestation process on the development of each piece. Concluding with a directed reading at our theatre. This program is modeled for playwrights who would benefit from a structured space to receive feedback from peers, all in the supportive environment of The Road Theatre Company. The goal of Under Construction is simple: to leave with a deeper knowledge of playwriting through collaborating and sharing with one's peers, and for each participant to create a new piece of theatre that is workshop ready; a curated play! Playwrights are given live readings in our state-of-the-art theatre on Magnolia Blvd. in North Hollywood. Initial drafts will be read by fellow playwrights, but participants in this program will also have access to The Road's talented ensemble of theatre artists for private readings, as well as support from the Artistic Team at The Road. The Road is committed to UC, over the past 5 Under Constructions, the Road has produced 5 plays. UC6 readings are beginning in January 2026 and we hope to have a play from that series as well. We look forward to hearing from you! We will be interviewing candidates after the first of the year
o Categories: Plays
o Contact: Please send submissions to underconstruction@roadtheatre.org
2026 International Playwriting Prize Carlo Annoni
The Carlo Annoni International Playwriting Prize is now open for submissions with topics concerning the LGBTQ+ community, including love, diversity, and identity in a time of gender fluidity. We accept full-length or short plays even if already represented. Award ceremony in Milan, September 2026.
o Deadline: April 30
o Application Fee: No Fee
o Eligibility: Send your submission to info@premiocarloannoni.eu 1000 € awarded to two best plays (one in English and one in Italian)
o Categories: Plays
Hepburn Hooks Theatre Co: "Brown Skin Girl"
For the second edition of our evenings of shorts, we are seeking out four female, BIPOC playwrights whose works we will fully produce and present at a London venue to be determined. A clear element of inspiration for our very first endeavour is legendary superstar and timeless icon Beyoncé's 2019 song "BROWN SKIN GIRL", a gorgeous, heartfelt celebration of Black girl/womanhood. Its music video (which we enjoin you to watch, if you haven't already, features a plethora of Brown Skinned Girls and illustrates the broadness of this term!) The plays may be set in any era, they may tackle whatever subject you desire, the stories may even not centre Black/Brown women at all! We are quite simply looking to pick the brains of young, BIPOC female playwrights from all over the world and get a sense of how they feel about the world at large, or about very specific things in it. Let your imagination run wild, do not be afraid to be goofy, cringey, subversive or unapologetically militant - we want to see and hear it all!
o Deadline: December 15
o Application Fee: None
o Eligibility: There is no entry fee for this opportunity.
This year, we are happy to announce that all four selected playwrights will receive a 100 GBP stipend. The remaining three playwrights will be offered a free yearlong subscription to www.playsubmissionshelper.com, the most comprehensive and up-to-date online directory of play submission opportunities available anywhere.
Playwrights must be aged (at least) 18 at the time of submission.
Your play should have a running time of 10 to 15 minutes.
Your play should require no more than 4 actors and minimal props.
Your play should be in English (mainly).
The play should be original, unpublished and it should not have been performed in the UK as of the day of submission.
Submissions containing copyrighted material that does not belong to you cannot be accepted.
Unfortunately, we cannot yet accept musicals.
Your play should NOT BE BLIND.
The document you submit should be a PDF.
Unfortunately, written feedback will only be provided to short-listed writers.
All submissions are final. No revisions to the text of a play will be accepted after it is submitted.
o Categories: Short Plays
WRPN Women's International Film Festival
Welcome to the WRPN Women's International Film Festival, where distribution and feedback opportunities abound for films made by women or those that address issues affecting women. WWIFF is a sister festival to the Depth of Field International Film Festival, a FilmFreeway "Top 100 Reviewed" festival alumnus.
o When/Where: June 20
o Deadline: October 31 (Regular Deadline), November 30 (Late Deadline), December 31 (Extended Deadline), March 31 (Last Chance)
o Application Fee: $50-$130
o Eligibility: While WWIFF is a female-focused film festival, we also accept films produced and/or directed by men if one or more self-identifying top production members are female (including, but not limited to, cinematographers, producers, writers, editors, or films featuring a strong female presence on screen). We will not exclude films directed by men if the topic is significant to women and women's issues.
o Categories: Play
Theatre Now Soundbites Festival
Theatre Now defines a 10-minute musical as any piece that can be performed in 10 minutes or less; has a beginning, middle, and end story arc; and includes music. Having produced over 100 pieces, we want musicals that are diverse and current, that test the musical form and communicate a well-crafted story. We accept musicals across all styles and genres and are happy to consider foreign language and/or bilingual scripts. We strongly encourage submissions from female, BIPOC and LGBTQ+ writers as well as writers with disabilities.
o Deadline: December 1
o Application Fee: Free
o Eligibility: Please review the following criteria thoroughly before sending your submission:
Ten-minute musicals will be accepted from July 1st, 2025 - December 1st, 2025 at midnight.
Submissions will not be considered before July 1st or after the deadline.
Musical theatre writers can submit no more than two scripts during the current submission period.
The story must have a beginning, middle, and end.
We accept submissions in foreign languages or that are bilingual. Although the application process is in English, the work itself may be submitted and performed in any other language if selected.
Each piece must include music.
All submissions must be submitted via the submission form. No physical copies.
Each musical must not exceed ten minutes when performed. If accepted, cuts may be required.
Longer one-acts or full-length musicals will not be considered, although the submission may be a 10-minute portion of a longer piece as long as it tells a complete story with a beginning, middle, and end story arc.
A musical may be a previously-produced work with a production history.
We have no formal script formatting guidelines, but all scripts should be easy to read.
The volume of submissions prevents us from providing feedback on all submissions.
If your piece is visual (i.e. choreography-heavy), please include video footage or detailed descriptions.
o Categories: Short Musical
THE ALEXANDER NDERITU PRIZE FOR WORLD LITERATURE (2025) seeks short plays
The African Griot Review is proud to announce the return of the Alexander Nderitu World Literature Prize! The 2025 Edition will honour original, one-act stage plays from anywhere in the world. A single winner will be chosen by the founder of the prize, Kenyan-born writer and critic Alexander Nderitu. The longlist will be announced in December 2025. The shortlist will be announced in February 2026 and the eventual winner will be unveiled at a literary event in April 2026. The winning playwright will walk away with a cash prize of 50,000, a one-year online promotion campaign by IT form Websoft Interactive and grace the cover of The African Griot Review magazine. The 2024 winner of the prize was Nigeria's Haliru Ali Musa, for his short story, The Pregnant Ghost. There is no entry fee.
o Deadline: November 15
o Application Fee: Free
o Eligibility: Territories: The contest is open to writers anywhere in the world, aged over 18.
Language: All entries must be in English. Translations and adaptations are not eligible.
Work: The entry must not be optioned, commissioned, performed or been previously published anywhere, including online. Simultaneous submissions are fine but please inform us if your work is published or staged elsewhere during the judging process. We're looking for a play that is roughly 10 – 15 minutes long. A minute of dialogue is roughly one page of script. The playwright's name must not appear anywhere on the submitted document. One may submit up to three different plays. Each play must have only one writer, no collaborators. Plagiarism and assistance from Artificial Intelligence (AI) writing tools are grounds for instant disqualification.
While not essential, the Standard Stage Play format is recommended. Free guide available here: https://caryplaywrightsforum.org/wp-content/uploads/2012/07/CPF_play_formatting2.pdf
Judging: This year's contest will be judged by award-winning writer and critic Alexander Nderitu. Apart from penning his own stage plays, he has also authored two non-fiction books on the theatre business - Kenyan Theatre: The Good, The Bad and The Ugly and This Time With Feeling.
o Categories: Short Plays
o Contact: For any inquiries regarding the Prize, please email: admin@theafricangriot.com
Southern Soul Theatre Ensemble Presents the Inaugural 10x10 Play Festival
The Southern Soul Theatre Ensemble proudly announces the Inaugural 10x10 Play Festival, celebrating creativity, culture, and community! In honor of Juneteenth, this festival amplifies Black and Latinx voices through a dynamic showcase of 10-minute plays.
o Deadline: None Given
o Application Fee: None
o Eligibility: Eligibility: Open to Black and Latinx playwrights (one submission per playwright).
Play Length: 10-minute plays (8-10 pages).
Cast Size: 2-6 characters.
Themes: Works should reflect the diversity of Black and Latinx cultures; all genres welcome.
Original Work: Must be unproduced or have had limited exposure (readings/workshops accepted).
Format: PDF submissions only, including a title page with name, contact info, and a brief synopsis.
Deadline: Selected playwrights will be notified by April 15th.Southern Soul Theatre
o Categories: Plays
The Autry: 2025 OPEN Submission for Production Consideration
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you would like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form, check the box for 2025 General Production Consideration.
o When/Where: Open all year
o Deadline: None Given
o Application Fee: None
o Eligibility:Full-length plays (60+ pages) receive will be read and evaluated.
o Categories: Full-length Plays
NY Theatre Festival Spring/Summer and Fall/Winter
This is a unique opportunity to invite people from the industry to see your production! People are more likely to go see a show than to read an unsolicited script - some industry people receive on average thousands of submissions per month. They understand that the journey for a show to be successful often goes through several productions and this is your chance to show that you can start that process! Our dedicated team is here to help you get your work out. We are with you from the moment you begin tech rehearsals, all the way through to your closing performance. You will never be left alone during the process. We will help you choose from the 85 set/furniture pieces we offer to dress your stage for your run, and we will give you a complete crash course on how to use the audio/light/video system in just 3 minutes, which are intentionally designed to be very user friendly.
After we show you how to use the tools we provide and how to best utilize the space, The Festival's team will provide prime responses to every inquiry, as well as a telephone # you can call anytime during relevant hours throughout the run of your show. In 12 years and 22 seasons we have successfully hosted 1,400 plays and 300 musicals, as well as rewarding over 300 participating artists cash prizes.
o Deadline: TBD
o Application Fee: None
o Eligibility: Submissions Accepted from a 30-mile radius outside of Manhattan and only run if the entire cast and crew are from New York City. Plays are considered on a first-come, first-serve basis. The earlier you submit, the better your chances are of having your script invited to the festival. Each applicant is fully responsible for all elements of their production, including directing, casting, stage-managing. We know exactly what you need to make your show a success and we welcome you into our community of playwrights and theater innovators!
o Categories: Plays, Musicals
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1" and no greater than 1.5".
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
The Tank Presents
Each season, our The Tank Presents program serves hundreds of emerging artists as they create over 1000 performances of new works in music, theater, film, dance, comedy, and storytelling. As part of our mission to remove the economic barriers from the creation of new work, we never charge our artists to use our space for their performances! In addition, we also provide free rehearsal space, as well as free marketing and promotion of their event. Our The Tank Presents presenting model removes the daunting cost of space rental from the equation of art making, and provides an affordable home for emerging artists to create art that pushes the boundaries of their mediums. Through this program, artists can present readings, works-in-development, short runs of full theatre productions, screenings, concerts, storytelling festivals, comedy shows, and more.
o Deadline: None Given
o Application Fee: None
o Eligibility: To submit work for consideration as part of Tank programming, please email submissions@thetanknyc.org with the following information:
Show title
Discipline (theater, music, comedy, etc.)
Approximate running time
Summary of piece
Brief summary of artistic goals
Brief explanation of how the piece exists in the world (i.e. - art exhibit, soundscape, outdoor experience, digital hybrid)
Sample of work that will give us a sense of what it is you're trying to make and that you know how to make it
Bio of lead artist(s)
The name of the Tank show you viewed
Submissions are accepted on a rolling basis.
o Categories: Plays
o Contact: submissions@thetanknyc.org
Diversionary: Seeking new, full-length LGBTQIA+ works
Diversionary is always seeking new, full-length LGBTQIA+ works for consideration. Please follow the guidelines below if you would like to submit your work. Because of the volume of submissions, those that do not follow the guidelines will not be considered.
o Deadline: None
o Application Fee: None
o Eligibility: Please send all of the above items as a single document in pdf format to frankie@diversionary.org. For music, please send the items in mp3 format or include a link to be accessed. No physical submissions sent to the theatre will be considered.
a one-page synopsis, character breakdown, and playwright bio
a development/production history of the submitted work (including date written and any readings, workshops, and full stagings)
a ten-page sample of the work
three audio recordings of music, twelve minutes total, if it's a musical
o Categories: Full Length Plays, Musicals
o Contact: frankie@diversionary.org
Murmuration Theatre
Murmuration Theatre Company is seeking plays that have a cast size between 2-11 for our 2023 & 2024 seasons Accepting work for consideration in the following categories: New Voices Showcase: Curated selection of 4-10 new plays (scripts 2 - 40 pages); fully staged and directed by our creative team. Mainstage Show: a one act or full length play (scripts 35 - 120 pages); fully staged and directed by our creative team. In development: Actor's Lab Performance Series: a monthly selection of scenes or short plays (any length), performed at workshop or staged reading level.Playwrights selected for our mainstage production will receive $30 per performance of their one-act or full length play; playwrights selected for our New Voices Showcase will receive $10 per performance of their short or one-act.
o When/Where: Brooklyn, New York
o Deadline: None
o Application Fee: None
o Eligibility: Please submit PDF copies of scripts via the google form below, and feel free to reach out to murmurationtheatreco@gmail.com with any questions or concerns. Multiple submissions are allowed. Preference will be given to playwrights who are able to attend at least one performance of their work in the NYC area.
We will be accepting submissions on a rolling basis, and hope to be in touch with responses within 30 days of submission. Please feel free to reach out after that point if you have not received word from our team.
Solo Shows, Theatre for Young Audiences and Musicals will not be considered.
New writers as well as writers with voices that have historically been underrepresented in the theater industry (gender identity, sexual orientation, race, ethnicity, religion, ability status, etc.) are encouraged to apply.
o Categories: Full-Length Plays, One-Acts
o Contact: murmurationtheatreco@gmail.com
Manhattan Repertory Theatre Play Production Program
Self-Produce a production of your best play in New York City as live theatre comes back to life in this New Renaissance of Theatre. We will do all the work, from hiring a production team and staff, to casting, directing, building costumes, set design, lighting design, payroll and more. From 3 performances to 20 performances for one simple Production Fee. Pre-Pandemic, 2017 - 2019, we produced 60 plays in Midtown Manhattan for playwrights all over the world. Production time frames available: Late Autumn 2021, Winter/Spring 2022.Currently, as we move back into production in New York City, we are only accepting Full-Length plays and Musicals - 60 to 150 minutes. Production fees range from $12,000 to $50,000 depending on the "size" of your production, scenic elements, and the number of performances.
o Deadline: TBD
o Application Fee: None
o Eligibility: If you are serious about self-producing your play in New York City, please forward us: An email cover letter with information about you and your work. your play attached as a .pdf, an attached Synopsis of your play, with the approximate running time, and your set, lighting and costume requirements.
o Categories: Full Length Plays, New Plays
o Contact: manhattanrep@yahoo.com
Shubert Fendrich Memorial Playwriting Contest
To encourage the development of quality theatrical materials for the educational, community and children's theatre markets, Pioneer Drama Service is proud to sponsor the annual Shubert Fendrich Memorial Playwriting Contest.
This is an ongoing contest, with a winner selected by June 1 each year from all eligible submissions received the previous year. All eligible plays accepted for publication will be considered contest finalists, from which the winner will be selected. The contest winner will receive a $1,000 royalty advance in addition to publication.
o Deadline: Ongoing
o Application Fee: None
o Eligibility: You can start the submission process by contacting us here.
We will only consider manuscripts with a running time between 20 and 90 minutes.
Submissions must be family friendly in both subject and language. NO cursing. NO explicitly adult content.
We prefer casts that are either balanced or favoring females. The more gender neutral roles, the better.
We favor plays and musicals with ensemble casts, where more than just a few have a chance to shine.
Plays with elaborate set, costume or technical requirements are not appealing because of the limited resources of many of our customers. Pictures, sketches or descriptions of your vision are always helpful.
We recommend your submissions have had at least one production or reading, hopefully staged. We feel this fundamental field test is necessary before a play can be considered for publication since plays are created for the purpose of performance.
Manuscripts must be computer-printed in dark ink. We do not require specific formatting. However, your efforts to ensure your script is free of misspellings and typos will help the submissions editor.
We hope that Pioneer Drama is your first choice as a publisher, and we encourage you to submit to us exclusively. However, we do accept simultaneous submissions with the understanding that you will accept the first contract you're offered and not use the situation to seek multiple offers from which to choose. If you receive another offer, please notify us immediately so we may rescind your submission.
The following information must accompany your submission or query:
100-200 word synopsis.
Cast list that indicates the number of female roles, the number of male roles and the number of roles that can be performed by either gender. We do not accept one-person shows.
Running time.
CD and/or score for musicals. We appreciate the opportunity to hear the music, if possible.
Set design(s). Please feel free to provide diagrams and/or pictures.
Proof of production or staged reading (i.e., review, program, etc.) A DVD of your performance is ideal, though not required.
Age of intended audience.
A self-addressed envelope of sufficient size with appropriate postage for the return of your materials. We will NOT return manuscripts or accompanying material if this is not included.
Cover letter and/or resume.
o Categories: family friendly
o Address: Pioneer Drama Service, Inc. Attn: Submissions Editor PO Box 4267
Englewood, CO 80155-4267
o Contact: https://www.pioneerdrama.com/ContactUs.asp?ID=6
Urban Stages Emerging Playwright Award
Our $500 Emerging Playwright Award (coupled with press coverage) is given to playwrights who show excellence and dedication throughout this process – from development to the stage. Out of hundreds of submissions a year, we select 15-20 plays for readings. From these, we select 1-3 plays annually to go on to our workshopping phase. Our workshops are meant to prepare a play for our Off-Broadway stage. From our workshops, we select 1-2 plays for full productions, complete with a playwright's contract and compensation (separate from the award).
o Deadline: Ongoing
o Application Fee: None
o Eligibility: Plays may have been developed or produced elsewhere, but never produced in New York City. Plays from overseas and throughout the US are accepted and considered, but special attention will be given to playwrights who live in or near New York
o Categories: Full Length Plays, New Plays
o Contact: 212.421.1380
ONSTAGE Audition
The Cottage - Richmond, VA EPA (01.19.26)
Equity actors for roles in THE COTTAGE (See breakdown). All roles will be understudied. In casting The Cottage, Virginia Repertory Theatre endeavors to be as inclusive as possible. We invite all performers, including gender non-conforming, genderqueer, transgender, and non-binary actors, to audition for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities.
o Deadline: January 19th
o Details: Please prepare a 1-minute comedic monologue and have a 1-minute contrasting monologue prepared, if requested.
o Audition Information:
November Theatre 114 W. Broad Street Richmond, VA 23220
Please utilize street parking and follow posted signs.
o Salary: Independent Theatre Contract $605 weekly minimum
For more Onstage opportunities, visit Backstage.com; ActorsAccess.com; and Playbill.com.
BACKSTAGE
Mean Girls - Stage manager submissions (Deadline: 01/14/2026)
Seeking Equity Stage managers for MEAN GIRLS.
o Deadline: January 14th
o Details: PERSONNEL: Artistic Director - Shuler Hensley, Executive Director - Natalie DeLancey, Artistic Associate - Nick Walker Jones
OTHER DATES 1st Rehearsal: 04/06/26 Opening: 05/01/26 Closing: 05/17/26
o Application Information:
Please submit your resume for consideration to Nick Walker Jones, Artistic Associate. Deadline: 01/14/2026
Submit to: casting@cityspringtheatre.com
o Salary: $788 weekly minimum (Ref. to LORT) - Stage manager $721 weekly minimum (Ref. to LORT) - Assistant stage manager
Management Associate, Roundabout Theatre Company
Roundabout Theatre Company, one of the nation's largest not-for-profit theatres, seeks an energetic, personable individual to join the company as the Management Associate. This position reports to the Incoming Managing Director and calls for an individual to provide strong administrative support for her as well as to the Executive Producer and other members of the Management Department. This candidate must have strong verbal and written communication skills, be adept at managing calendars, and some knowledge of theatrical production, particularly in New York/Broadway. This position will begin in December prior to the Managing Director starting full time on January 5th, 2026.
o Essential Duties
Provide administrative support to the Managing Director and Executive Producer including managing calendars and scheduling meetings (both internal and external), coordinating travel, booking meeting spaces, note taking, providing research, organizing and maintaining files, creating spreadsheets or other tracking documents and fielding phone calls
Serve as a liaison for all departments in the company, particularly General Management, Marketing, Finance, IT, Criterion Ticketing, and Audience Services
Assist the Administration Department in labor relations coordination and research
Draft internal and external correspondence on behalf of the Administration Department
Monitor and reconcile department budgets and spending through invoice coding and processing
With Senior Officer, Board Relations & Governance, coordinate meetings with key board members and board committees for the Managing Director
Assist in planning All Staff Meetings as well as other staff events
May provide support for the management of show rentals in any of the Roundabout theatres, as well as help facilitate Capital Projects
May provide support for the General Managers on production related tasks including contract drafting, budgeting, budget tracking, and other tasks related to the shows
Keep abreast of all news and current topics in the Broadway and larger New York theatrical community
Other duties and projects as assigned by Managing Director
o Compensation: The salary is $55,000–$60,000 annually plus any overtime for hours worked over 40 in a workweek. This role may require some weekday nights and weekends for events (notice will always be provided in advance). This role is required to be in our midtown office. This is a full-time position with the standard Roundabout benefits package that includes medical plan paired with a health reimbursement account, dental, vision, 401k with 5% employer contribution, PTO, LTD, and life insurance.
Commercial Director, AKA NYC
AKA NYC is a New York City based, award-winning, fully integrated advertising agency with unparalleled expertise across the arts & entertainment, leisure, travel, retail, and tourism sectors. We are content-forward and data-fueled with a proven record of delivering cross-platform campaigns that get results. We are proud to partner with some of the most iconic names in entertainment, culture, and live experiences. Our client roster includes Broadway's biggest shows, world-renowned institutions like The Metropolitan Museum of Art, vibrant attractions such as The New York Botanical Garden, and dynamic sports organizations like the Harlem Globetrotters. From the magic of live theatre to the energy of stadiums and the wonder of cultural landmarks, we craft campaigns that connect audiences with real experiences – providing real stories, real emotions and real connections. AKA NYC seeks a commercially minded leader who combines strategic vision with executional excellence. The ideal candidate thinks like a producer, acts as a business partner, and leads with entrepreneurial drive. They thrive in complexity, enjoy solving commercial challenges, and maintain a relentless focus on audience growth, revenue generation, and sustainable success. Above all, they bring energy, vision, and leadership to help our clients — and AKA — achieve extraordinary results.
o Essential Duties
Lead commercial strategy for key accounts, aligning marketing, pricing, and sales activity with revenue goals.
Develop and manage forecasts, pricing models, and sales strategies that deliver measurable results.
Oversee audience segmentation, ticketing, and revenue management to maximize occupancy and average ticket price.
Use data and insights to identify growth opportunities and guide strategic decisions.
Serve as a trusted commercial advisor to senior stakeholders and agency leaders.
Inspire and mentor teams, fostering commercial acumen and a culture of curiosity and accountability.
o Compensation: The salary range for this position in New York, NY is $100,000 to $130,000 per year. The base pay actually offered will take into account internal equity and may vary depending on the candidate's geographic region, job-related knowledge, skills, and years of experience. A discretionary bonus may be provided as part of the total compensation package.
Director of Production, Arena Stage
The Director of Production is responsible for the overall management of the Production Department, balancing artistic vision and integrity with practical needs including deadlines and budgets. The Director of Production will be responsible for budget management, staff development and creative problem solving.
o Essential Duties
Coordinate effective communication among the directors, designers and all members of production staff
Budget and schedule the needs of the Production Department to ensure the fulfillment of planned productions, presentations, rentals and other events
Create and monitor schedules for building, production and presentation activitiesOversee annual production budget, monitor expenses and provide timely updates of actual expenses and projections
Facilitate design and production meetings, ensure deadlines are met and oversee the tech/production process
Administer the production payrollContract production staff (scenic, props, costume, lighting, sound, other production support)
Hire additional production staff (overhire) as required
As a member of Senior Staff, work with the Senior Staff to schedule and plan each season and develop strategic plans for the future.
o Skills: Five years of production management
Degree in theater preferred but not required
Ability to work some evenings and weekends required
Knowledge of MS Office, particularly Excel and Outlook
Knowledge of all production elements including scenic, properties, lighting, costuming, sound, video, stage management, and directing
Previous experience working within SDC, AEA, USA and AFofM policies preferred.
o Compensation: $110,000-$165,000
Obsidian Theater Festival
There exists an enduring legacy of storytelling within the Black community. Actors, writers, musicians, and dancers, capture the richness of Black stories, moving beyond stereotypes and tropes. The Obsidian Theatre Festival exists to uplift both stories as well as storytellers, and firmly believes in the power of art to change lives. Obsidian will provide the community with the powerful platform it deserves by way of a fresh new stage upon which these stories will be meaningfully exists an enduring legacy of storytelling within the Black community. Actors, writers, musicians, and dancers, capture the richness of Black stories, moving beyond stereotypes and tropes. The Obsidian Theatre Festival exists to uplift both stories as well as storytellers, and firmly believes in the power of art to change lives. Obsidian will provide the community with the powerful platform it deserves by way of a fresh new stage upon which these stories will be meaningfully celebrate
o Seeking: Various Roles
o Location: Detroit, MI
o Website: https://www.obsidianfest.org/available-positions
Milwaukee Repertory Theatre
o Seeking: Various Roles
o Location: Milwaukee, WI
o Website: https://www.milwaukeerep.com
For more information: https://www.milwaukeerep.com/about/work-us/jobs/?fbclid=IwAR2lXyj99fIOhY8MmQ5n4XRveG1wEqPl2mL_9w7A1-WVpLoZhqwUDc-2Crc
Milwaukee Repertory Theater is an Equal Opportunity Employer and values and encourages a diverse workforce. We invite you to review jobs that are currently available.
Full-time employee benefits include health, dental and voluntary vision and disability insurance; flexible spending accounts; retirement plan; parking programs and complimentary tickets.
Application Instructions
Send your letter, resume and salary history (PDF or Word attachments only) to the email address listed in the job listing.
Oregon Shakespeare Festival
o Seeking: Various Roles
o Location: Ashland, Oregon
o Website: https://www.osfashland.org
For more information: https://www.osfashland.org/work-with-us?fbclid=IwAR2cqx7fSs1YYwa2I86SMVxJjZ8ns4ba2RqsEr51mMKIVWdiIL7ByQ4Lv8U
Located in the beautiful Rogue Valley of southern Oregon, the Tony Award-Winning Oregon Shakespeare Festival presents a season of eleven plays in rotating repertory across three theaters between the months of February and October. Additionally, OSF offers extensive educational opportunities to students, teachers, and theatergoers of all ages during our performance season.
We offer employment and career opportunities in a wide range of positions (acting, other performing opportunities, scenery, costumes, lighting, marketing, finance, etc.). We encourage you to check our website regularly for openings.
Two River Theater
Two River Theater annually produces a theatrical season that includes American and world classics, new plays and musicals, programs for young people, and festivals of new work. Each year, we also offer 40+ events that reflect our diverse community of Red Bank, New Jersey. Two River celebrates and honors our core values of Artistic Excellence; Education and Community Engagement; Equity, Diversity, and Inclusion; and Operational Excellence. Anyone who joins our team quickly becomes part of putting all of our initiatives into action day in and day out. Two River Theater is led by Artistic Director John Dias and Managing Director Michael Hurst.Two River Theater is dedicated to the goal of building an equitable and culturally diverse work environment and strongly encourages applications from members of underrepresented groups.
o Seeking: Various Roles
o Location: Red Bank, NJ
o Website: https://tworivertheater.org/jobs/
The Kate Spade New York Foundation
o To honor Kate Spade's legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation's belief in "the power of women to transform their communities" through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
For more Offstage opportunities, visit OffStageJobs.com and Playbill.com.
Funding
Café Royal Cultural Foundation NYC Performance Grant 2026
Café Royal Cultural Foundation NYC will award a Performance Grant to individuals focused on the production of theatre, dance and performance art (all of which can be accompanied by music). Submissions: To ensure that each submission receives the attention it deserves we will be only accepting 40 applications for each of our categories.
o Deadline: Our Winter 2026 Grant cycle is now open and will close on February 2nd, 2026 at 9:00 am EDT or if we reach our limit of 40 applications, which ever comes first.
o Application Fee: No Fee
o Eligibility: Performer(s) of theatre, dance and performance art (all of which can be accompanied by music).
Grants awarded in this category do not fund costs associated with the creating/composition of new work.
Performer(s) applying must be a United States Citizen or Resident Alien and a resident of New York City and have lived in New York City for a minimum of one year prior to applying and plan to be a resident through the completion of their project.
If your performance is a play, it must be a full production. Readings will not qualify.
We would prefer that the performance of your project take place in New York City's five boroughs, or in a location in close proximity to New York City that has been discussed and approved by Café Royal Cultural Foundation. Email caferoyaldigital@gmail.com for inquiries.
Applicants can only apply with the same project twice.
Applicants can only apply to only one category during a grant cycle.
o Contact: We would prefer that the performance of your project take place in New York City's five boroughs, or at a location within proximity to New York City that has been discussed and approved by Café Royal Cultural Foundation before you apply, please email caferoyaldigital@gmail.com for inquiries.
NYSCA Encore Grants support returning Staten Island based 501(c)3 nonprofit organizations.
This grant category is for returning Staten Island based 501(c)3 nonprofit organization that present programming of artistic and cultural significance in all art and artistic cultural disciplines including, but not limited to music, dance, digital/new media, film/video/animation, folk arts, humanities and cultural studies, interdisciplinary events/festivals, literature, public art, theatre, and performing and visual arts. Applying organizations must have 501(c)3 status. These grants are not for fellowships, subsidies, or entitlements. Projects must be open to the public and take place on Staten Island during the calendar year they are awarded. Each grant cycle, under-resourced disciplines are identified and then prioritized in the panel process. Under-resourced disciplines for 2025 are: Folk Arts, Classical Music/Opera, Photography Encore grant is funded by the New York State Council on the Arts, a state agency Statewide Community Regrant Program with the support of the Office of the Governor and the New York State Legislature.
o Deadline: January 31
o Application Fee: Free
o Eligibility: Proposals must focus on artistic or creative expression and cultural significance.
Clearly stated objectives.
Clear and realistic plan for implementation.
Appropriate request level and realistic budget for stated proposal.
Need and impact on the artistic discipline, geographic area, or local population: projects that address under-resourced communities or artistic disciplines will receive foremost attention. Under-resourced communities have low or limited access to the means of cultural production as well as art programming/activities. Under-resourced disciplines are disciplines that have received low or limited funding from the arts council in the past.
Demonstrated community interest or support of project.
Applicant's artistic experience, skill, and exhibition/performance history.
The project should be accessible to any member of the community who wishes to partake in the experience. Venues should comply with the Americans with Disabilities Act standards. Virtual programs should provide captioning, subtitles, or ASL interpretation.
Steven Schwartzberg Grants for Mental Health & Wellness
Writers are the beating heart of theater, whom we rely upon to take us on journeys and inspire us to think. During these unprecedented times, DGF has created the Steven Schwartzberg Grants to provide financial support for mental health and wellness services for writers. To help connect writers to therapists, DGF has partnered with Advekit, an online therapist matching service, to expand access to mental health support that might be out of your reach.
Please complete the form to receive $1,000 toward therapy through Advekit, courtesy of DGF.
If you already have a therapist or are seeking mental wellness support other than Western talk therapy, DGF is working on ways to support you in your wellness.
NYC Department of Cultural Affairs (DCLA)
The NYC DCLA is dedicated to supporting and strengthening New York City's vibrant cultural life. Among our primary missions is to ensure adequate public funding for non-profit cultural organizations, both large and small, throughout the five boroughs.
They have many grants tailored to the needs of artists living and working in the city throughout the year.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Independent Artists and Groups
o Address: New York City Department of Cultural Affairs 31 Chambers Street New York, New York 10007
o Contact: 212.513.9300
SubletSeries@HERE Program
This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, technical assistance, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, color scrollers—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Independent Artists and Groups
o Address: HERE Program 145 Sixth Ave New York, NY 10013
o Contact: 212.647.0202
Annenberg Foundation
The Annenberg Foundation does most of their funding in the arts, culture, and humanities to organizations in the counties of Los Angeles, Orange, Riverside, San Bernardino, and Ventura. The Annenberg Foun
dation's arts and humanities grants are available to agencies that serve the greater Los Angeles region, typically with budgets over $5 million.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Arts, culture, and humanities in greater Los Angeles region
RESIDENCIES
2025 Early Career Artist Residency Program
Anderson Center at Tower View provides residencies of two to four weeks' duration from May through October each year to enable artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment to create, advance, or complete work. There are typically 5 residents at the Anderson Center at a time, and the organization hosts approximately 35-40 residents each year. The program is one of the largest of its kind in the Upper Midwest. Since the Center opened in 1995, over 900 artists from 45 states and 40 countries have participated in the program. Residents have come from countries including Argentina, Australia, Cameroon, Canada, China, Colombia, Croatia, Denmark, Egypt, England, Estonia, Georgia, Germany, Greece, India, Iran, Israel, Italy, Kenya, Korea, Latvia, Lithuania, Mexico, Norway, the Netherlands, New Zealand, Russia, Spain, and Uganda. Residencies generally begin on the 1st of each month and end on the second to last day of each month. If a residency is for two weeks, it will begin on the 1st or 16-17th of each month, and end on the 14-15th or second to last day of the month. There is no charge for the residency, and all food is provided. Outside of the Early Career Artist, Deaf Artists, & Public Artist programs, additional funding is not available at this time. Residents must arrange for their own transportation to the center, or to the Minneapolis-St. Paul Airport, or to the train station in Red Wing. Anderson Center at Tower View's Residency Program was established by a working poet to support other artists and continues to be led by administrative staff with hands-on experience in the creative process. Anderson Center trusts artists to best use their time to benefit their own work and reach their own goals. The expectation is that the program's cohort model and distinctive setting, along with the gift of time and space, generates significant advancements in residents' work. As an interdisciplinary arts organization, Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual orientations and genders. Anderson intentionally works to make space for people and ideas to comfortably come together and operates with a spirit of welcome for all. For participating artists, the Residency Program creates connections within artist cohorts, as well as with other creatives and community members in Red Wing. The goal is that these relationships outlast the duration of the residency visit. The organization believes that the environment and resources of Tower View, along with fellowship and an exchange of ideas across disciplines, generates inspiration and new directions for the work artists create while in residence.
o Deadline: January 13
o Application Fee: Free
o Eligibility: The four primary eligibility guidelines for Anderson Center's Early Career Artist Residency are:
Legal residency in the State of Minnesota or one of the five boroughs of New York City.
Not enrolled in any degree-granting program from time of application through residency period.
Self-identification as an "early career artist" with 2-10 years of generative experience in the field
An artistic practice centered in generating and creating entirely new work.
2026 Anderson Center Residency
The Anderson Residency Program is open to early career, mid-career, and established visual artists, writers, composers, choreographers, multidisciplinary artists, musicians, performance artists, scholars, and translators from across the globe. The program is interdisciplinary and the organization welcomes applications from a wide range of creative and intellectual genres, including those that don't fit neatly into the above list. To be considered, artists must submit an application through the Anderson Center's online form via Submittable. Complete program details are below. Please contact the organization at 651-388-2009 or info@andersoncenter.org for any questions.
o Deadline: January 13
o Application Fee: $30
o Eligibility: A completed application form includes a brief artist statement, a work plan, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.
The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your past and current work.
The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.
The Work Plan is a one-page Word or PDF document that clearly and concisely describes what you are working on and what you'd like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.
Artcroft Center for Arts and Humanities
Residencies of an average of 2-8 weeks for visual artists, writers, actors, and performance artists. Residency provides housing, studio, and meals; artist responsible residency fee ($40/day), deposit (10% of residency fee), travel, materials, and local transportation.
o Deadline: Ongoing
o Application Fee: $25
o When: 2-8 weeks
o Eligibility: Residencies are available to established and emerging visual and literary artists 18 years of age and older without regard for race, gender, sexual orientation, or religion.
o Address: Artcroft Center for Arts and Humanities 2075 Johnson Rd. Carlisle, KY 40311
o Contact: artcroft@msn.com
Other Resources NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
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